Fall 2011



Above image, "mary's house" by Kate Stone


 CONTENTS

POETRY

"Not the Body, Please" by Katherine Hoerth
Neck Bone by Sjohnna McCray
refugees by Aw-o-tan Nisgah
Chauvet Cave by Meredith Stricker
Near Misses by Eric Rawson
after cyborg by Ryan Sanford Smith
The Latvian Ladies by Teresa Peipins
Nurturance by Kristina Faye
The Kitchen by Alice Fogel

FICTION

Dying in America by Suzi Ehtesham-Zadeh
Solomon's Ditch by Eric Sheridan Wyatt
Morning Wine by Jack Carbee
Voice of the Midlands by Jan Wiezorek

PLAYS

Next of Kin by Lois Bassen
An excerpt from "Recluse" by Karen Lee Boren

NONFICTION

Regrowth by Theodosia Henney
No Tie Binds by Cecilia Turner

ART

Withdrawal by Topher MacDonald


POETRY

"Not the Body Please" 
by Katherine Hoerth

In response to the barrage of images from the 2011 Sendai earthquake

Please, photographer, capture images of hands –
a child’s in loose fists, hanging over the broad
shoulders of her father. Let us see the warm weight
against his chest, how his face unfolds into smile –
the white teeth against the swirl of washed blankets,
the smell of toothpaste and laundry soap, here,
in this Japanese gymnasium, now earthquake shelter
in Sendai. Please

show us the clean socks, her shining hair
shelved into place against her cheeks,
her eyes in downward stare – this woman
who sorts recycling, saves what the earth
chose not to swallow in its backwash
of saliva. Please

take pictures of survivors, especially children
who dig through the rubble for toys,
their bright jackets and scarves bloom
like cherry blossoms against gray. Notice
their smiles when they uncover photographs,
way their eyelids curl up in joy as they examine
treasure – someone’s diary full of tender
secrets. Please photograph

the rows of rescue workers dressed in camouflage
as they march into the wreckage, lift the world
back into order one fallen tree trunk at a time.
Let us see their hands grip brooms as they sweep
away the mud. Let us watch them part the sea
of rubble and dust, and fold the pages
of warped cars, torn Kojikis and Bibles,
into barriers by the side of their boot trodden
trail. Please

photograph her white hands, Sendai’s plastic replica
of Lady Liberty, that stands against a rumbling sky.
Even as the tidy memories compact into mounds
that grow and pull at her knees, she stands clean
and pure, with her blushing torch of plastic
light. But please,

not the body, please, not this pair of hands.
Leave to rest the gray fingers that curl lifeless
between cement boulders. Cover her face
with a washed up blanket, an ocean
blue tarp – the world can’t yet gaze
into the glassed over eyes of what the earth
choose to devour.




Neck Bone
by Sjohnna McCray

She is a woman who ties scarves quickly
as an afterthought.  So many slashes of silk
hang loose like tongues
waiting to be chosen.
Forlorn until such an occasion
calls for the hint of cinnamon, paprika
or simply requires black licorice.

At home, she wears mascara
claiming hips that belong
to brassier types, old wartime pinups:
Rita Hayworth on the cover of Life.
She ties scarves around her waist,
chiffon that whispers
untie me, unravel.

At best, she is a revisionist.
A woman whose country leaves her
with only scarves.  Her knots
are a small motif, a closed up rose
that shakes with every swallow.




refugees
by Aw-o-tan Nisgah

lichen flashes neon green on the red rock
where coyote yips a tricky wind to gust
the last stand of leaves from the gnarled
branches of juniper — crosses for dwarf

saviors in tarnished gold light like cathedral-
high grass, dying, hiding the hung heads
of horses who seem to search for that
earth where their bones will bleach

like war-torn wapiti's single antler silhouetted
against the sun's decline while below the hill
a dozen longhorn amble across the highway
to learn the loneliness and loss of the buffalo




Chauvet Cave
by Meredith Stricker

"Deep in the cave, which meant deep
in the earth, there was everything:
wind, water, fire, faraway places,
the dead, thunder, pain, paths,
animals, light, the unborn”   
— John Berger

panthers and
wild horses
still leap
in animate darkness
toward human hands
transfixed in aureoles
of ochre pigment
across vast mineral-rooted
forests of Europe
the same handprints
for thousands of years
a bird builds its nest
at night in a hollow
of moonlight it will sleep
in a sleep that is like flying
tenderness of a hand
pressed to rock
opening toward us




Near Misses
by Eric Rawson

Snow on the palm lines, indistinguishable from music.

The car nearly ran the curb and put an end to picturing
this unusuality.

Faustian, the bargain between beauty
and security:  one forfeits the shadow of death for the sake
of — I almost said pinochle — a Swiss dialect: spectacle.

No more singing as we go, or peculiar ambits.

The danger isn’t in what almost happens, it is in
what happened without our notice.

How can we
trust our own several senses?

How can we stop imagining
the blind nets of chance?

Let’s toss a few words
into an explanation: an angel (call her near-experience)
rushes around cleaning up the messes,
the misses, the masses of dim possibilities,
so that when snow falls unexpectedly and sharp,
we don’t kill anyone with our wonder.




after cyborg
by Ryan Sanford Smith




so many broken iterations on a throne,

black diamond plate and concrete juts

you've got to admire how well we all are

to be wireframe and unfinished

the tattoo scrapyards along the arms,
the king’s cloak of nursery wallpaper,

a spine growing up and out,
a see-through skin mushroom cloud.

and they look out & out, eyecaves whistling,
every piece of horizon accounted for

let these be the last desert's lookouts on the real,

far out and invading nothingness making dust on approach,

someone’s got to be the last one,
last last laugh, last face going cloud-grey.




The Latvian Ladies
by Teresa Peipins 

The Latvian ladies
fry up liver, body warm
from the butchered pig
its stink of singed hair
still hangs
over the kitchen
and they chatter.
He won’t last
til the carrots are brought in.
My uncle, thin,
fades in their eyes.
The ground hard,
not yet frozen
yields bitter greens and
small forgotten potatoes.
My uncle’s body worn out,
to be shed as easily
as the fallen leaves,
dry and brittle underfoot.




Nurturance
by Kristina Faye

The first real spring day. The backyard
seems strange without my grandmother,
her tomato plants and aging garden tools.

Without her, I try to embrace even the smallest
spaces of enjoyment.

Like a bowl of figs.

I think of myself at six years old:
I see my father on 30th avenue
and run toward him.

Why was I alone? Why was he there?
I just remember the fall, the cut on my lip,
the asphalt.

Each morning I dream of cats.
I think of my mother:
her fangs, her bite, the way
she almost rubs herself against me in public.
Marking me for hers.




The Kitchen
by Alice Fogel

The house could be love or merely the container
that defines it like the basin

defines the dishwater

before it spirals down the drain


you could as you move to the stove shift for an opening

drawer the tines inside ticking


in tandem like tangos

of thought turning again you step aside for a paring


knife the clove peeled and grating the chemistry

between you could heat


a skillet all set to sizzle or wait while you separate

an onion into hemispheres of cool


could slice this crisp

icy globe could break


something in the house fills with tears in the eyes

prism the root into glassy chips whose attraction to


or dread of butter softens

them into little windows each with its own


clarified view of the cleaver

and the chopping block off enough time


for the wild

rice to absorb the subtle


tones of wine and sea salted broth could season

this friable landscape of spice curry flavor


to set florets and cubes

aglow in evening lime light coconut milk melting


candle wax snow small green marjoram patches of ground

pepper the conversation with gesturing forks


over the moon spoons

up such a gourmet meal you could cook up a feast


out of the deep freeze could keep

fresh meat from going bad




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FICTION



Dying in America

by Suzi Ehtesham-Zadeh

    Baba-joon died on a morning in July. His life was simply over, suddenly and irrevocably, like the dropping and breaking of a teacup.

    He had not expected to die on the morning that he died—had not planned it, had not desired it, had not foreseen it. There was no mounting evidence to suggest that his death was imminent. There was no single precipitating factor, and no traceable chain of cause and effect.  Even in hindsight, it was difficult to settle upon a satisfactory explanation.

    Baba-joon’s final night on this earth was imprinted in the minds of his wife, children, and grandchildren in a series of images that had the clarity and precision of videographic recordings. They could not have known as they stored these images away that they were destined to play them over and over again in their imaginations, with varying sequence and intensity, for such a long time to come.

    It was odd how dissimilar and disconnected their images were. The oldest grandson Kamran had helped Baba-joon into the shower that evening, and would forever picture the scar on his grandfather’s chest, a remnant of his bypass surgery. Although the surgery had taken place several years before, the scar, which was two inches wide and bright pink, looked fresh and alive—almost angry. Kamran had known the scar existed, but was shocked and disturbed to see it at such close range. Long after the ordeal, whenever Kamran attempted to picture his grandfather, the image that pushed itself forward was of the sunken and scarred chest.

    The final image that Baba-joon’s oldest granddaughter, Ariane, was to record of her grandfather was tinged with guilt. He was sitting on the couch, and she was passing in and out of the room with a telephone in her hand. He was calling out to her each time she passed, trying in vain to get her attention with affectionate verbal jabs. She was politely attempting to hide her annoyance, but it emanated from her and she was keenly aware that her grandfather felt it.

    For Baba-joon’s young grandson, Darius, who was seven, the final image was an eerily tender one: his grandfather was calling him forward, asking him to remove his wool hat—the one he had worn for as long as Darius could remember—and demanding a kiss on the top of his bald head. Baba-joon had taught him the Farsi word for hat: kola. For months to come, Darius would continually replay the sound of his grandfather’s voice uttering the word kola and would simultaneously relive the sensation of his own lips on his grandfather’s cold, hairless head.

    Jahan, Baba-joon’s only son, would not retain a concrete image of his father on the night before he died. Instead, he would dwell on his own behavior that night—his excessive drinking, his erratic mood, and his furtive escapes to the dark basement where he had assembled a makeshift opium den and where the pipe sat warming on a hotplate.      

    Baba-joon’s daughter, Roya, in whose home all of this transpired, recorded an incoherent mixture of sound and image: the awkward way her father looked as he sat on the couch with his bird-thin legs defensively crossed beneath him; the blaring of the television set at which he stared blankly; the disorder in the kitchen where the dinner was being haphazardly prepared between drinks; the cacophony of voices which failed to form meaning.

    For Baba-joon’s wife, Jane, fifty years of images coalesced into a single picture of her husband sitting hunched over on a couch. This image was accompanied by the echo of his repeated and increasingly querulous demands for another glass of vodka. As always, she had protested half-heartedly, and then complied.

    Wife, daughter, son, grandchildren—all would replay the sound of his voice traveling across the house from the room where they had abandoned him.  At first he shouted out to them—but then, after he realized they were on another wavelength, he began to mutter to himself. His tone was plaintive, then sarcastic, then hostile, then desperate—and finally, barely audible.

    And then, of course, the sudden image of his fallen body on the living room floor, his forehead bloodied and his legs twisted awkwardly to one side. When his son lifted him from the floor and carried him to the bedroom, the role reversal was shocking, incomprehensible.

    And next, the springing into action:  the mustering of sobriety, the perfunctory family council and the collective decision to avoid the emergency room, the expeditious trip to CVS to buy gauze and peroxide and butterfly clamps, the gentle dressing of the wound, the delicate removal of shoes and belt and trademark hat and newly-purchased jeans and cowboy shirt, the slipping on of the pajamas without which he could not sleep, the careful arrangement of the pillows around the injured head.

    And after he was safely in bed, the heedless, empty continuation of merriment: the repetition of jokes everyone already knew, the corny songs dredged up from decades past, the giggles and cackles and croons, the indifferent rise in volume in one room while in the next room he silently descended.

    And finally, Jane’s voice waking them up in the half-light with the simplest, yet most important, sentence she had ever uttered: “Children, I think your father is dying.” 

    It was not until after they had rubbed their swollen eyes and massaged their pounding temples and heaved their sodden bodies out of bed that the stark reality of their mother’s statement dawned on them. Only then did they recall the scene of Baba-joon’s crumpled body on the floor and begin, groggily, to connect that picture to the words that drifted together from the tiny, pathetic sound of their mother’s voice.

    He was not dead when they came into the room, and he was not dead when they called the ambulance—on the contrary, he burst forth with sudden venomous lucidity.

    “It’s just an abrasion! Just an abrasion!” he sputtered. He was not dead when the paramedic ripped open his pajama shirt and listened to his failing heart. “Who are you?” he snarled at the grotesque crew-cut figure leaning over him with a stethoscope. “Where did you get your medical degree?” He was alive enough notice the rolls of fat bulging beneath the paramedic’s uniform, alive enough to smell the mixture of coffee and ketchup on his breath.

    He was still alive when they strapped him to the gurney and drove him away.

    There must have been a precise moment, as in all deaths, when his life ended—when the impact came and the teacup shattered. But the clocks in the hospital where he died continued their dutiful, omniscient ticking throughout the event, without a discernible pause or a rise or fall in pitch or volume. The nurses and orderlies moved through the hospital rooms soundlessly, as they had been trained to do in such moments. They spoke in whispers and adopted other-worldly expressions to suit the occasion. It was pronounced: “He is dead.” The death certificate was signed and submitted, and their work was over. Everything was clean, professional, and appropriate.

* * *   

    Greenlawn Cemetery is a sprawling oasis wedged between a gas station and a Wal-Mart on one end, a liquor store and car dealership on the other end. The green grass the cemetery’s name promises is incongruously lush, considering the asphalt that encroaches upon it from all sides. Flowers of every season and clime bloom simultaneously in a garish effusion of color, and stone angels and flags intermingle in the solemn duty of watching over the dead. The literature of Greenlawn Cemetery does not lie when it claims to tailor-make its burials to suit the wishes of the bereaved family: Muslims and Hindus and Catholics and Protestants have all been accommodated there and lie peacefully side by side.

    The funeral director was polite and solicitous: he had performed every imaginable kind of rite, he assured them, and he understood and respected their desires. He even provided, free of charge, a temporary marker to place over the mound and donated a bouquet of plastic geraniums—a favorite, he knew, among Muslims—to place in the complementary vase.

    Baba-joon was wrapped in a shroud and the simple pine box that served as his casket was hinged on one side so that his body could fall into the earth according to Muslim custom. And so he died, and so he was buried.

 * * *

    But this was not his death. Not the alternating drunkenness and hilarity and confusion and neglect and solitude of his final night; not the hematoma from his fall against the wooden chest; not the failure to take him to an emergency room; not the hour and minute and second recorded on his death certificate; not even the suffocation of dirt and the covering over with grass and plastic.

    As his body tumbled into the earth, his children had the sensation that Baba-joon was tumbling not down, but backwards, through time. The teacup that was his life had fallen through another part of the time-space continuum—a part that defied ticking clocks and death certificates and numerical measurements. He had been falling toward death for a long time—forever, it seemed.

    He had probably begun to die a few years earlier, they thought. Perhaps it was when he first started to feel that his children had ceased to care about him, understand him, or even hear him; when he began to feel irrelevant; when he retired and his status as a brilliant doctor no longer carried weight; when he first looked in the mirror and saw how hollow his eyes had become; when he began to need assistance to get into or out of a car.

    In their hearts, they knew that it had begun earlier than that. He had begun to die years and years ago, maybe as far back as the time when they had returned from abroad with degrees in philosophy and anthropology and music, boasted of their alternative sexual orientation, and brought home blond “partners” whose English even his non-native ears detected as improper.

    It was even possible, they thought, that he had begun to die slowly during the years when they were abroad, studying at the finest and most expensive American universities, at Stanford and Duke and Columbia, where they squandered the monthly allowance checks he sent on trips to Yosemite and the Grand Canyon. They, who had grown up surrounded by the Alborz and Zagros Mountains! Each letter they sent home about their trips to Denver and Boston and Philadelphia must have been a death blow to their father, they now realized. They remembered, with a stab of guilt, how insensibly they had blared Bob Dylan and Santana in the car while driving with their father to Persepolis and Isfahan and Qom and Hamedan, through the Iranian landscape he wanted them to love.

    But certainly his descent into death had begun even earlier than that. He had begun dying when, as adolescents living in Iran, they insisted on wearing patches on their faded jeans and growing their sandy-colored bangs over their eyes and walking with a gait that to him seemed lopsided and aggressive and weak. American.

   Or was it even earlier, when his elegant Farsi was muffled, even to his own ears, by the nasal sounds of their American English?

    Did he begin to die as a much younger man? Could his death have begun when he returned to Iran triumphantly after thirteen years in the United States; returned with a medical degree and an American wife—their mother—and she insisted on walking barefoot, letting her fingernails get dirty, wearing her hair loose around her shoulders, refusing to put on lipstick, and laughing with her head thrown back, in direct defiance of all the social customs and rules of propriety he had grown up with?

    It was very likely that his death went back even farther that that—that it went all the way back to the moment he left Iran to go to America, abandoning the father he revered and the mother he adored, forever compromising and confusing his sense of himself.

    No, it was not possible to pinpoint Baba-joon’s death, although they would never stop trying to do so.  They would sweep up the jagged pieces of the broken teacup and move on, but Baba-joon would die, again and again, for the rest of their lives.

 back to top


Solomon's Ditch
by Eric Sheridan Wyatt


   There is a wide, steep ditch that runs along Solomon's field and when the spring rains come the water sheds off the field, fills that ditch, and flows into the crooked creek that marks the southern boundary of his property. The creek is fast and deep when it is fed by Solomon's ditch and the ditches of the other fields down through the valley. Once the spring rains are gone, the creek runs slow and clean and cool.    In the summer, the ditch grows thick with thistles and grasses. The weeds are tall and they make it hard to tell how steep the ditch is and how easy it would be to get hurt falling down into it. The thick foliage hides the rocks that litter the ditch bed—some smooth as polished marble and others rife with jagged edges, sharp like razor blades. Solomon might bother to clear the ditch, but he doesn't grow tobacco in his field anymore and proper drainage isn’t a concern. Besides, he no longer trusts his reflexes enough to dodge the snakes that surely reside in that summer-dry jungle.

    Looking out over that empty field, Solomon misses the tobacco. There was something satisfying about plowed fields dotted with plants set in neat rows. People don't realize tobacco is a beautiful plant with full, green leaves that catch the colors of the setting sun in the evening. In years past, he let the section closest to the house run to seed and those plants bloomed with pretty pink flowers. The hummingbirds and hawk moths came in for a sip or two of nicotine-tinged nectar before hurrying off on other pollinating errands. Solomon would watch them from the porch, drinking lemonade and seeking relief from the heat. “Hummingbirds must have got themselves a union,” he'd say whether or not anyone was around to listen. “They get a smoke break, real regular. Maybe shoulda got us a union too.” Then he’d laugh, finish his drink, and get back to work. 

    But that was years ago. There’s no money in tobacco anymore. The government pays him to let the land lie fallow, and while it doesn't make much sense to get paid for not growing anything, Solomon has given up trying to make sense of the government. He cashes the checks, just the same. It isn't much, but Solomon doesn't need much.

    He owns the house and property outright, and he has papers to prove it. No one else has any claim on this land, especially that banker who tried to change the contract on his parents just when they were ready to pay it off. Solomon still despises that slick-talking bank man who almost convinced them to buy their place a second time, as if paying for it once wasn't enough. That was more than a quarter-century ago and Solomon figures the banker—like his parents—is long dead, but that hatred remains, lodged deep between his ribs. That experience taught him to pay cash and stay clear of loan men.

    Solomon makes a little money renting some of his pasture land and a few tillable acres. That income pays his taxes, buys heating oil for the winter, and allows him to purchase the few groceries he needs. His social security is enough to cover his utilities and the co-payment on his blood pressure medicine which he often forgets to take. In the summer, he eats mostly what he grows in the garden or gathers from the wild blueberries, blackberries, raspberries, and grapes. He trades the excess fruit for milk or eggs.

 * * *

    It is a summer morning, cool for the first of July, but certainly not chilly. Solomon is in the woods, and he carries a basket full of blackberries in one hand and his .22 rifle in the other, just in case he comes across a young squirrel inexperienced enough to linger on a low branch. There is plenty of sausage and bacon in the deep freeze, but Solomon won't pass up a young squirrel if the opportunity presents itself.

    The woods are growing up thick with underbrush, so he sticks to the well-worn paths. There are more blackberries growing in other places, but he decides against fighting the summer growth. When he was younger, half of the fun of picking berries was taming the underbrush with a machete. These days, he's satisfied without doing all that extra work. The berries in his basket are juicy and dark, and he's picked enough to eat fresh and more to make preserves.

    There is an old log—sponge-like in places from decay and termites—along the path where Solomon sits and rests. The day is growing hot, even in the shade of the woods. “Not much breeze today,” he says, even though no one is around to hear him. The way he sees it, he's not crazy for talking to himself, as long as he still recognizes that he's only speaking to the air.

    Flies and gnats swarm, seeking someone to pester, so he doesn't stay still for long. He comes out of the woods and onto the road up a hill and around a bend from his house. He is near where the spring bubbles up and runs water down the hill for his use. He checks the spring out of habit. It hasn't looked different for twenty years, and he doubts it will again in his lifetime, but Solomon is a creature of habit so he gives it a cursory inspection.

    Down near his house, Solomon walks along the crown of the ditch. His movement stirs up birds and dragonflies and over-sized, winged grasshoppers. His presence sends them reeling over the empty field and back again. Big bumblebees slalom through the weeds, swinging their fat bodies wide, like big-rig trucks making lazy turns. The bumblebees remind him of honeybees and he remembers he's promised Bert he'd pick extra blackberries to trade for some of Bert's honey. He decides to trade the ones he's just picked and to go back tomorrow to find more for himself.

    He is almost home, following the slow curve of the gravel road, when he hears a whimpering in the weeds. “Who all's down there?” he calls out. The grasses waiver, the weeds shiver, and the whining increases at the sound of his voice; there's a dog down in the ditch, a hound, judging by the pitch and tone. “You'd better be a good pup if I'm gonna break my neck coming down in there.” After laying the basket and gun along the side of the road, Solomon eases down the embankment, hoping that any snakes inclined to strike will get a good taste of his old, impenetrable work boots. “Just my luck if I go and get bit trying to help somebody's mutt,” he mutters. He makes clucking noises so the dog knows he's coming and listens for the dog's whining.

    Solomon pushes aside a thorny bush and there sits a little brown-eyed beagle staring up at him. The little dog tries to stand, but one of her back legs appears gimpy and she has a big cut on her hip. The cut isn't bleeding, but it looks to be causing her pain. She tries to stand again, yelps, then lays back down, panting and studying Solomon with frightened eyes. He moves toward her, holding out his hand for the dog to sniff. She licks it and resumes her whining. He reaches in and pulls her out of the bush as gently as he can, but the dog yelps in pain. “Hold on there, girl,” he says, bringing the dog close to his chest. He struggles to get back up the side of the ditch with the dog in his arms, and by the time he makes it out they are both panting. Balancing the pup the best he can, Solomon reaches down for the basket and gun.

    At the house, Solomon puts the dog and the gun on the porch and takes the berries inside where he pours himself a glass of water from the pitcher in the refrigerator. For the dog, he pours a bowl of spring water from the tap. The spring water is almost as cold as the water from the pitcher. While inside, Solomon calls Dr. Henshaw. “I found a beagle out here in my ditch,” he says. “You heard of anyone lost one?”

    “No one's called,” Doc says. People usually call Doc when they lose an animal or find one they don't know.

    “She's a little banged up. You going to be out this direction anytime soon?”

    “Depends on if your blackberries are coming in,” Doc says. “Somebody came in and poached all the ones off Cheryl's daddy's old place.”

     “You come on out in the morning.”

* * * 

    Twenty years earlier, July had been hot, without a doubt. There was a fair amount of rain in the spring and the tobacco plants were coming in thick and full, but June had been dry and July started the same way. It stayed hot through the third week of August.

    Solomon was forty-one and his parents were six years gone. His neighbors seemed to like him. He was honest and hardworking and willing to lend a hand when needed. People smiled and laughed and talked to him in town or at the hardware store or when they gathered together for an auction, and yet, Solomon didn't have plans for the Independence holiday. Other folks had their own plans, and had their own people to be with, and he figured he’d just make it a day of rest. So, when the water stopped running to the house on the morning of July 4th, it wasn't a change of plans that upset him; he was upset that the interruption was his own doing. He knew the line feeding down from the spring had a leak for weeks. The wet spot in the yard was obvious, and the circle of grass that remained green while the rest of the lawn browned expanded every week. But there was a lot of work for just one man and, until Independence Day, the water had continued to run into the house, even if some of it was leaking out along the way. When he turned the kitchen faucet and only a dribble trickled out, he knew he couldn't put off the repair any longer.

    First, he had to go up to the spring and plug the pipe at the source to keep the water from coming down the line while he worked. The lock on the cover was rusty, and it took some work to get the wood box open so he could access the concrete reservoir and plug up the hole. On the way back down to the house, Solomon heard a low moaning in the ditch. Heading up to the spring, he'd been focused on planning the work ahead of him and hadn't paid any attention to the ditch, but when he looked to see the source of the moaning, he found a girl laying there, mud-covered and just waking up. The side of her face was bruised, and she had cuts on her thin, tan legs. She wore a stained t-shirt and what Solomon first thought was skimpy underwear. It turned out she was wearing the bottom half of a bathing suit that would have been envious of the coverage a pair of panties could provide. He stood watching her for a while, until she was more fully awake, and then he said, “I'd imagine this isn't where you intended to wake up this morning.”

    The girl was obviously disoriented, and frightened. “You get back and leave me alone.”

    Solomon stared as she struggled to her feet. “Considering you are in my ditch, on my land, I reckon you're in no position to tell me to get back.”

    She scrambled up the side of the ditch, clawing at the weeds and dirt and ignoring the hand Solomon offered. Her legs were scratched and he could see the red welts of chigger bites on her otherwise smooth skin. She winced and it was obvious her foot was hurting her.

    “Do you need me to call someone?” Solomon said. “The Sheriff maybe, or the ambulance?”

    The girl stared at him. Her eyes were dark and steady and locked on him. She was disheveled, cut, bruised, and still beautiful. Solomon had to look away.

    “Don’t call anyone,” she said, finally. “I need to sort out what to do.”

    “You can come on down to the house, if you want,” he said as he turned and started back down the road. She didn't follow at first, but by the time he'd come back out of the barn with the shovel, she was standing at the end of the short, gravel driveway.

    It didn't take long to dig up the section of leaking pipe. The girl sat on the porch, drinking from a pitcher he had brought out to her and applying calamine lotion from a big pink bottle he retrieved from under the bathroom sink. She watched him work, moving so that he was never behind her when he went into the house or back down to the barn for a tool.

    It was dark when he finished filling the hole, and there were fireworks going off all over the valley. Neighbors weren't close, but the sound traveled well in the still, summer air. Solomon made sandwiches and brought them out on the porch. As he sat on the swing, the girl ate greedily.

    “There's fresh hay down in the barn,” he told her as she finished eating. It was the first thing he'd said since he'd left her standing next to the ditch, and his voice made her jump. “And I put some blankets down there, too.”

    He didn't say anything else. They sat watching the fireflies and listening to the report of bottle rockets. After a while, Solomon went to bed.

 * * *

    In the morning, Solomon pulls weeds from around the tomatoes and checks the sturdiness of the cane poles supporting the climbing beans. The beagle follows him. She's still struggling to get around and after a while she finds a shady spot near the old, empty chicken coop and naps.

    Doc comes before noon. The little dog is frightened of him and she tries to get away. She yelps and collapses when she tries to run. Doc is gentle and though she shows her teeth, she doesn't bite. “That cut will heal on its own,” he says. “But she's wrenched her back. Probably fell hard. She'll need rest, but she'll be good as new.”

    “Nobody's called concerning her?”

    Doc selects a berry from the large-size freezer bag and shakes his head. “Way I figure, if she belonged to someone local, they'd have called by now. Probably got away from somebody down at the river over the holiday, or else someone from Richmond drove out this way to dump her. Beagles can be too much for some folks.”

    Solomon calls out, “Come 'ere girl,” and the beagle walks over to him. “I don't reckon I have much need for a dog,” Solomon says, stroking her soft ears even as he says it.

    “Don't it get lonely out here, all by yourself?”

    “Gets even lonelier when you get used to someone, and then something happens to 'em.”

    Doc nods. “I can take her with me, but I can't keep her. Someone would have to claim her, or I might have to put her down.”

    Solomon says, “She can stay out here. But you'll let me know if someone calls looking for her.”

    Doc watches the dog. She isn't scared of Solomon. The beagle sits with her weight leaning against his leg. “Guess you should give her a name.”

    “I don't know that she's mine to name.” He stops rubbing her head and straightens up.

    “She's as much yours as anybody's,” Doc tells him.

    Solomon looks out over the former tobacco field. “Might as well call her Lucy, then.”

    Doc looks up and tries to steady his face. “You think that's a good idea?”

    “It's as good a name as any,” Solomon says. “And that's a name I won't have to learn.”

* * *  

    The morning after repairing the water leak that hot July, Solomon brewed some coffee and brought it out to the girl who was already sitting on the porch.

    “This is awful,” she said after tasting the coffee, then quickly added, “No offense. I mean, I appreciate it.”

    Solomon nodded. The few times he'd made coffee for more than just himself it was for other farmers who'd stopped by to talk about some boundary issue or drainage problem. They didn't have discerning tastes when it came to coffee.

    “I appreciate you letting me stay,” she said. He didn't look at her as she talked. “I'm not really sure how I got here. Or where here even is, I guess.”

    He told her where she was, but she didn't recognize the name of the closest town, or the county. He said they were about forty minutes east of Richmond, and that was finally a landmark she could identify.

    “I was visiting a friend. He's in college at Richmond. Not really a friend. A friend of a friend. Things got a little out of hand. I ended up in a boat full of people I didn't really know. I think someone put something in my drink and the next thing I remember I was waking up in a ditch with you looking down on me like some sort of Deliverance character.”

    “I just farm,” Solomon said, turning toward her. “Never did deliver anything, that I can recall.”

    The girl looked him in the eye, and smiled. “What's your name?”

    “Solomon.”

    They sat in silence for a while.

    “Don't you want to know mine?”

    “I figure you'll tell me when you're ready.”

    “Lucy,” she said, holding out her hand. Solomon took it, then quickly let go. He was startled by how small her hand felt in his. They sat side-by-side and Lucy said, “Thanks for everything. I guess I was pretty rude.”

    Solomon didn't like it when someone thanked him for a common kindness, but he said, “You're welcome,” anyway. She stood then, and stretched, her arms high over her head, her shirt riding up high to reveal the flat expanse of her midriff. She wasn’t at all self-conscious and Solomon had to look away before she noticed him looking. Solomon went inside and found an unopened package of cotton undershirts. He brought one to her. “It’s big,” he said. “It’s my size.”

    Lucy slept in the barn the first three nights. She would sit on the porch with Solomon to eat the meals he made for her, but she didn't offer any further explanation about the circumstances that led her to the ditch. Solomon wasn't the kind to ask questions. He could tell she didn't fully trust him—her dark eyes still tracked his every move—but she didn't have the same wariness; she didn't jump when he spoke and she accepted his kindnesses with a smile. By the fourth day she was dirty. Even though she'd been down to the creek to wash off, she was beginning to stink from sleeping in the barn and wearing the same clothes.

    “I need to go in to Richmond,” Solomon told her as they ate bacon and toast on the porch. “I'll be gone most of the day. You can get a proper bath while I'm gone and use the washing machine.”

    “What if I steal all of your things while you’re away?” Lucy said.

    “I don't have much worth stealing,” Solomon said. “But I reckon if you wanted to steal from me, you could do that when I'm out in the field or back in the woods.”

    Lucy finished her toast and sipped at the coffee and said, “I need some things.”

    And so Solomon, after finding the part he needed to fix his trailer, stopped at a Woolworth's and handed the woman there a piece of paper with the name of several feminine products. “I've never had to buy these kinds of things,” he said. “I'm not sure what I'm looking for.”

    In the clothing section he bought t-shirts and shorts and an assortment of hair berets. He bought some panties, choosing plain white cotton ones and guessing at the size. He started looking at the bras and realized he had no idea how to choose the correct size, so he put them back on the rack. The clerk rang up his purchases and said, “It's a difficult time when a little girl is right on the verge of womanhood. Don't be surprised if she gets to be harder to live with.” The clerk wrote her phone number on his receipt—in case he needed advice on raising a daughter, she said—but as he drove home he realized that she had noticed his bare ring finger and mistaken him for a widowed father.

    When he got home, he found Lucy asleep on the couch, her body clean and her clothes fresh. When she woke, she stretched like an old barn cat waking after sunning in the yard. Solomon caught himself staring at the long, flawless lines of her body and quickly turned back toward the kitchen.

    “I hope you don't mind,” she said. “I pretty much ruined one of your razors.” She was in the kitchen, behind him. She put one foot up on a chair and ran her hands over a tanned leg, smooth and clean. The scratches and bug bites had healed. Solomon turned away again, and focused on pouring a glass of water from the tap to control his breathing.

    “I have plenty of razors,” he said. “You're welcome to them.”

    Lucy looked through the bags. “You didn't have to buy these things.”

    “I don't have anything fit for you to wear. And you can't keep wearing the same thing over and over.”

    “Thank you,” she said, pulling the items from the bag. “It's very nice of you.”

    After dinner that night—which they ate at the table, instead of on the porch—Lucy went upstairs and slept in one of the guest beds. When she came downstairs after midnight she found Solomon sitting at the kitchen table, looking through a farm catalog, making notes on a piece he'd cut from a grocery sack.

    “Don't you need sleep?” she asked.

    “It's been six years since anyone's been in this house, besides me. I'm feeling responsible to keep watch.”

    Lucy went to the refrigerator. She stood in the light of the open door. The outline of her body beneath the thin cotton of her t-shirt was clear. Solomon didn't look away.

    “You should sleep,” she said, closing the door. “Otherwise, I'll go back out to the barn.”

 * * *

    Solomon never understood people letting dogs inside the house, but when that little beagle darts inside—right between his legs, before he can even holler at her—he only makes a half-hearted attempt to get her out. She sits at his feet as he watches television and sleeps on the floor at the foot of his bed. A few times she tests the boundaries and jumps on the bed, but Solomon puts her back on the floor. He has to draw the line somewhere.

    She's well behaved, for a beagle. Her nose gets the best of her sometimes, but she comes back when he calls. She likes to explore in the old barn, as long as Solomon goes with her, and she's content to pass lazy afternoons napping on the porch next to Solomon as he dozes in the rocking chair. She likes rides in the truck the best. She sticks her head out the window and sniffs up all the smells of the countryside.

    Over the following weeks, Solomon collects a collar, a leash, two ceramic dog bowls, and a plastic tube of tennis balls she likes to chase. Doc calls—four weeks after Solomon found her—and says that no one has claimed the dog, but he's found a hunter who would take her now that she's healed. “He'll pay seventy-five dollars for her,” Doc tells him.

    “I don't need seventy-five dollars,” Solomon replies. “Lucy-girl is used to it here. I'll just keep her around.”

    Half way through the month the August heat is interrupted by a gray, gloomy cold front. Solomon takes Lucy on her leash into the woods and then unclips the leash. They hunt together and she's good about staying close and coming back when he calls. When she flushes her first rabbit, she screams out a baying beagle howl and her own voice startles her. She runs back to Solomon, who laughs and picks her up. “You didn't know you were an old hound dog, did you Lucy-girl?” Lucy licks his face and they head back toward the house.

 * * *

    The girl had been sleeping inside the house for a week and Solomon was growing accustomed to her presence. His life went on much as it had before, except now there was someone else in the house when he came back in every evening. After that first night, he resumed his regular pattern of sleeping and rising early, going out to tend the animals before moving on to his crop-related duties. He had someone to talk to, but Solomon found he rarely had much to say.

    When he came into the house for lunch or after the day's work was done, Solomon would find Lucy on the couch, the box fan turned toward her. She complained of the heat saying she'd forgotten what it was like to live without air conditioning. Lucy watched television throughout the day, and Solomon showed her how to turn the antenna pole out next to the porch in order to pick up different stations. During dinner Lucy would ask about his day and press him for details about his farming. She didn't know much about keeping chickens or cows, and the process of growing tobacco seemed to interest her. She said she had lived in an old farmhouse once, surrounded on three sides by corn in the summer and isolated in a vast sea of openness the rest of the year. But they didn't farm, she told him; it was just a place her parents rented.

    On a Sunday night they were eating dinner and Lucy asked about Solomon's family, referring to photos on the wall above the red velvet sofa. He told her about his parents who had died six years earlier and his only sister who had died when she was just a few days old. He told her about the aunt—his mother's sister—who he visited every Saturday, though she really didn't know who he was any more. He didn't mention a wife or girlfriend or give any indication that romance ever played a role in his life.

    “You've never asked anything about me,” she said after he finished talking. They had moved out to the porch and were sitting side by side on the swing, watching lightening in the distance. A mountain stood between them and the storm, but they watched the flashes illuminate the sky behind the mountain and counted the seconds until they heard the thunder.

    “Six seconds,” Solomon said. “Just over a mile away. Probably going to swing right around that mountain and down into this hollow.”

    Lucy put her feet down to stop the gentle swinging. “Aren't you curious about me?” she said. “Who I am? Where I come from? How long I plan to stay?”

    “How long are you planning to stay?” Solomon asked.

    Lucy said, “I don't know.”

    “If you don't know, I guess it didn't do much good to ask,” Solomon said. They stared ahead at the light show in the distance. “Do you really want me to ask about your family?”

    “Not really,” Lucy said. “I just wanted to know if you even cared.”

    The thunder rolled through the valley again—a deep rumbling that vibrated through the earth and traveled up the supporting timbers of the porch, down the chain holding the swing, and caused the still swing to vibrate.

    “I figure you can tell me what you want me to know,” he said. Lucy lifted her feet and he moved his legs so the swing began moving again. “You're welcome to stay here if you don't have anywhere else to go. Or, I'll take you into town if you want to take the bus somewhere. And the phone is available if you need to call someone to come get you.”

    “That phone,” she said. “It rings all the time. You never answer it.”

    Solomon sensed that she was changing the subject, so he explained to her how a shared telephone line worked, and he told her about Linda Jane who lived up on the hillside and listened in on everyone's conversations. There wasn’t much that was kept a secret in that valley.

    “Are you always this nice to strangers?” she asked. The wind was picking up and it started to rain lightly, the bigger drops pinging off of the tin roof, making a kind of music.

    “My mother taught me to treat strangers like you would your own family.”

    “Even ones you find passed out in your ditch?”

    “Mother never specifically mentioned that,” he said. “I suppose it all depends on who you find there.”

    The rain blew onto the porch so they went inside. The thunder and wind were intense, but Solomon had slept through worse. He fell asleep and ignored the storm until he felt the weight of Lucy in his bed. He didn't turn toward her and they didn't touch, but after the storm had quieted and the thunder faded into the distance she didn't leave. She turned over and slept, and he lay listening to her breathing until long past the time he normally got up to start the day.

 * * *

    The dog follows Solomon into the woods, then runs ahead with her nose to the ground and the white tip of her tail tracing the zig-zag of her path. She's always eager for a hunt now, comfortable with the freedom Solomon gives her and confident in the baying of her voice. He lets her run ahead but calls her back before she's too far gone. She hurries back and sits at his feet, looking up at him with happy, panting expectancy.

    Solomon is used to her. He knows she doesn't understand him—though she's quick to learn favorite words like drink, treat, and truck—but he talks to her all day anyway. He laughs when she looks at him with her big, brown eyes and tilts her head to the side as if trying to decode his words. She's obedient, always coming back when he calls. He only tells her “no” once; she's so hurt by it, Solomon vows not to use the word again unless the dog is in danger.

    “It's getting cool early this year,” he says. Lucy rolls in a pile of early-autumn leaves, snapping at the tip of her tail as she wallows. “Silly dog. Come here.”

    Lucy stops, springs to her feet, and bounds to where Solomon sits on a stump. She circles him twice, then stands on her hind legs with her paws on his knee. She pants, her tongue hanging from the side of her mouth. Solomon rubs her head and picks off a few burs that cling to the tips of her long ears.

 * * *

    After the night of the storm—that first night when she found her way into his bed—Lucy began going with Solomon when he checked the fields and fed the animals, and she started cooking some of the meals. In the weeks that followed, she became part of Solomon's regular routine. She continued to sleep in his bed, even when the weather wasn't bad. Neither of them spoke about it during the day and at night he wouldn't even look at her when she crawled in beside him. They didn't speak or touch, but her physical presence was constant, like a low-voltage electricity he grew accustomed to.

 * * *

    The first snow of the winter is heavier than the weatherman predicted. Solomon considers skipping the morning walk, but Lucy runs in circles at his feet, screaming herself hoarse.

    “You aren't gonna like it so well when we get out in all this mess,” he tells her, but when he opens the door Lucy bounds out into the snow, leaping and jumping. She plows through drifts that are almost as tall as she is. She gets to the end of the drive and turns back as if questioning why Solomon is still standing on the back step.

    In the woods they both find it difficult to walk. The snow is just deep enough to make the path unclear. Solomon slips and stumbles. He holds onto a tree trunk to stay upright. Lucy is more agile, but she slips several times too. She shakes off the snow and continues on.

    When Solomon slips trying to find footing on an ice-covered rock, he says, “That's about enough of all this. We're gonna break our necks.”

    Lucy is up ahead, walking the crest of a ridge when she catches a scent, lets out a howl, and bounds over the ridge-line, out of sight. Solomon calls out and starts after her, but by the time he gets up to the ridge she hasn't come back. On the other side of the ridge the land falls sharply and Solomon sees Lucy running along the creek bed. He calls out, “No, Lucy! Come back here!” But she's already far off and she's howling as she plunges ahead.

    Solomon takes off after her, holding tree trunks as he slides recklessly down into the creek bed. The creek is rocky and slick with frozen run-off. Solomon tries to keep up, but falls several times. He can't hear her anymore and he's worried because they've never been in this part of the woods before. He stumbles on, yelling for Lucy, until his foot slips on an icy rock and he falls, landing heavily on his right side. His ankle throbs and his breathing is labored. The cold air burns his lungs but he's focused on the pain in his ankle and the ache in his hip and shoulder.

    When his breathing slows, Solomon sits still, listening for Lucy. He calls for her several times, but she doesn't come. Tears sting the corners of his eyes, and he is disgusted by the thought of crying over a dog.

    He is able to walk, but the ankle is tender and his hip causes him to catch his breath with every step. It takes forty-five minutes to climb to the top of the ridge and he has to crawl part of the way. His face is cold—with frozen streaks tracing a line from his eyes to his stubbled jaw—but he's sweating profusely inside his snowsuit. He tries calling her name. His voice is weak. He stops to listen before he stumbles back toward the house. He doesn't hear her anywhere.

 * * *

    Lucy slept in Solomon's bed for weeks. He grew used to the weight and warmth of someone sleeping so close. One night, another storm was blowing rain hard against the windows and they lay awake.

    “I used to love storms,” Lucy said. “When I was little.”

    He still had not asked about her past. He wanted to know more about her, but he remained silent, afraid that any words might break the spell of the previous weeks.

    After a few minutes, Lucy continued, “One night—I was almost seven—I sat in my parents’ living room, in a chair near the big picture window that looked out over open fields of wheat. We always lived out near farming land because my daddy hated the city. He taught in a new place every few years and he'd rent a house out in the country, surrounded by fields. Corn one year. Wheat or soy beans another. No neighbors. No city lights. That night, I sat there with the inside lights shut off, watching the lightning making patterns in the sky, off in the distance.”

    Solomon figured she was from somewhere north of Kentucky, but he wasn't sure where exactly. To see lightning at a great distance, he imagined, would mean she came from somewhere flat. Indiana or Iowa. Maybe even Kansas.

    “What I didn’t know was that my daddy was driving back from visiting my grandparents. Driving along the interstate, straight through the heart of that storm. He was a careful driver—a careful man all around—but there was a trucker who couldn't see in the rain and was running late on his delivery. My mother told me she didn’t even recognize my father's car when they let her look at it in the State Police impound lot.”

    Solomon could hear her sorrow and he turned his head to look at her. In a flash of lightning he saw her: eyes tight, arms at her side, fists clinched, and tears streaming down her cheeks. It was one of the images he would always remember, even years later—Lucy illuminated by the harsh white, instant light of the window, both beautiful and sad.

    The other memory that would survive the years came next. Lucy reached her hand out and took his. His hands felt clumsy; they were blunt instruments compared to the long, delicate fingers tentatively exploring the calloused pads of his fingers and the deep ridges of his knuckles. He dared not move, like a man who's had a butterfly inadvertently land on his knee as he sits on a swing. He kept still, hoping to not scare off the beautiful creature touching him. Lucy shifted, pulled back the covers, and moved to straddle Solomon. He was surprised by how insubstantial she felt on top of him. In the flashing light he studied her, sleek and fit and beautiful. He had to look away, but she put her hands on the sides of his face and held his head still as she leaned forward.

    Solomon had never really kissed a girl and certainly had never found himself in such an intimate position. Regardless of actual experience, he was fully aware of the kinds of physical reactions that such contact would initiate. He felt his face flush with embarrassment.

    Lucy broke the kiss to whisper, “It's alright.” The rest of his life, he would hear her repeat, “It's alright.”

    The storm raged outside but the sounds of thunder and the rain on the tin roof faded and other, less familiar, sounds took their place. Sounds he'd never heard before; sounds he’d never made before; sounds that continued long into the night, rising and falling in crescendos like waves of the ocean—intensified, faded, then repeated, renewed—until long after the storm had passed. When they finally slept, the sun was casting its first light into the eastern sky and there was no distance between them.

    Solomon woke to the sound of the phone ringing in the pattern that told him the call was meant for him on the shared line. Waking so late in the day was disorienting. He noticed Lucy's absence from the bed and immediately felt something like regret.

    “Solomon. You're home.” The voice on the line said.

    “I appear to be.”

    “Your truck is out here by the highway, parked off the road a little bit, with no one around. The keys are in the ignition. It didn't seem right.”

    He recognized Deputy Crawford's voice.

    “The highway?”

    As the deputy explained, Solomon found the note on his table. Lucy was gone. She realized how worried her mother must be, and told him a woman who had lost her husband deserved better than to lose a daughter too. She would leave the truck somewhere on the highway. Someone could take him to pick it up. That kind vet who’d been out to help with the calves, maybe. Or Bert.

    “Solomon, did you hear me?” the Deputy said.

    “I'll have Bert take me out there,” Solomon said, his mind shifting to focus on what he needed to do. “Sorry for all the trouble.”

    “It's no trouble,” Deputy Crawford said. “I was just concerned, that's all. It didn't seem like you. Is everything alright out there?”

    “It’s alright,” Solomon said. His voice was weak. “I reckon everything's about like it's always been.”

 

    In the spring, Solomon walks along the ridge. His ankle is still weak and the dull, constant ache in his hip has persisted through the winter. He walks slowly, carefully. He feels his age more than ever.

    The spring rains have filled the creek and Solomon sticks to the ridge. The creek winds its way into Bert Walton's property. Solomon usually respects Bert's property line, but he presses on, stepping over the remnants of the old barbed-wire fence. The ridgeline falls slowly until Solomon is walking along the edge of the creek where it widens out into a deep, clear pool.

    It is there, beside that creek-fed pool, that he finds the tattered remains of the red collar. And there, beneath a layer of leaves and twigs—after pushing the detritus around with the stick he's using to steady his walking—Solomon finds several, scattered, small, white bones. 

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                                                                                                                                  Morning Wine
by Jack Carbee                    Elbows rested on the zinc bar. Gray eyes studied the mirror behind the bottles, pausing to gaze at the weathered cheeks and tufts of thinning white hair. The head shook disapprovingly. Colorless lips parted and a grunt broke the silence.

    “Merde!”

    The barkeep slid a small pitcher along the metal surface. He smiled. The smile quickly faded and then disappeared altogether. The intense steel of the ancient eyes forced the barkeep to turn away. He lifted a rag and began vigorously polishing a glass.             
The gray eyes returned to the mirror searching familiar surroundings. Early sun reflected off mirrored pictures mounted carelessly on crude stone walls. Wooden chairs sat randomly about plastic coated tables. Familiar faces were scattered about, some barely visible over Le Monde
, a few passively sipping deep dark coffee, others animated in political debate. The thought flashed through his mind. ‘How many mornings has it been?’ The eyes closed. ‘How many more are left?’

    “Merde!” The word startled the barkeep; he turned toward his customer, expecting more. Nothing came. He shrugged, grasped the coins lying loosely on the bar and returned to his duties. A hand was extended, and the small pitcher with its crimson contents was raised. The bent form shuffled toward a corner table which afforded an open view over the awakening neighborhood.

    The ruby liquid splashed from the pitcher. A faint smile flickered. The first sip always warmed him, always brought contentment. Yes, morning wine was the solution. If only world leaders understood its value. Sip a glass with the enemy and land disputes no longer matter; religious differences fade; jealousies mellow; old wounds heal. He swirled it thoughtfully. If only! If only it could resolve those yearnings. If only it could restore what was no longer part of him. A grimace settled over the sunken cheeks and thin lips. If only he could have one more chance.

    The grey eyes blinked. His gaze was drawn toward a leafy park across the intersection from his morning perch. Suddenly, the steel melted. The grimace softened. A bland smile surfaced. Children skipped to the corner. Voices of innocent joy echoed through the din of traffic. He watched. They paused at the corner, clasped hands and carefully checked for danger. The larger hand, that of a boy in a crisp blue school uniform, enclosed tiny fingers. He bent to whisper to a young girl, obviously a sister entrusted to his care. Her dark skirt and pale yellow blouse bounced impatiently, dancing to an inborn rhythm. The light turned, traffic halted, and together they skipped on. He followed them until they were absorbed into the cacophony of Paris.

    “Merde!” He bent forward and lifted the glass. A mouthful hesitated on his tongue. Finally he swallowed. The gray eyes closed. Through the decades floated memories. The thrill of Bastille Day exploded, summer at its glorious best. They ran through the morning dew. Laughter rang in the walled garden. They munched fruit and bread. Stories told by older relatives captivated them. They were history. Respect flowed through every generation. Why had it disappeared? No one listened anymore. No one needed to hear the stories.

    “Merde!” A second warming sip reawakened the reverie. Christmas was special. Gifts fashioned lovingly were given with expectation. The crackle of the fire chased away frigid December breezes. And the laughter around the table, the laughter of his father and his mother intermingled with the giggles of his sister, still echoed in his memory. Yes, his sister, the littlest angel who so vexed him but who also brought joy and warmth into their lives. Why did she have to die? Why did she kill the love, stab the heart out of his parents and sentence him to childhood without smiles. He stared into the angelic face framed by satin and surrounded by flowers. Then they closed the lid to the coffin and carried away his youth.

    Tires screeched and horns blared. He blinked the vision away and stared deeply into the crimson liquid. The wrinkled forehead moved noiselessly from side to side.

    “Merde!”

    He raised the glass to his lips. Warmth cascaded. He smiled. It was good, morning wine. Sunshine and earth flow deep, proclaiming the miracle in each grape. Man’s true potential unleashed. How many mysteries of creation were unearthed due to a sip of morning wine? The genius of the Greeks was fueled by it. Plato, Socrates, Sophocles reclined in the glow of the Gods’ world sipping and debating, swilling and writing. Caesar planned conquests surrounded by comrades who understood that a bowl of morning wine stimulated creativity and generated greatness. 

    The aged forehead wrinkled and the eyes narrowed. Today, the world stumbles along following stoic autocrats, afraid to allow their minds to roam, terrified to be viewed as innovative, desperately guarding mediocrity, solely driven by self preservation. If only! If only they would share a glass in the sunshine of early morning, the freshness of the day would engender brilliance, foster brotherhood, dissipate hatred and mistrust. But they are fools. They will continue to be fools and the world will continue to wobble on its axis. He leaned back and unsteadily raised the glass. 

    “Merde!”

    Clicking heels captivated him. He squinted into the early light. Dark nylon stockings framed sculpted calves. Black skirt caressed shapely buttocks. White satin blouse hugged shoulders crying desperately to be rubbed with warm oil. Brilliant orange scarf wrapped possessively around slender neck muscles patiently awaiting eager damp lips. He stared until she was gone. The gray eyes closed. He sat motionless.           

    Ah, Monique. She opened the door. Green eyes darted suspiciously about the hallway before gentle long fingers clasped his sleeve and led him into paradise. A sigh hissed. He lifted the glass and stared. The months they spent in passion, loving with abandon, living with no thought of tomorrow. But tomorrow came. The Nazis took Paris and heaven became hell. When he returned that cold January day, she was gone. Overturned lamps and a broken mirror told the story. 

    The gray eyes moistened. He drank deeply. It was then that morning wine became his savior. Amid the shadows in the rubble of life, it gave warmth and companionship. Amid the dark cloud of occupation, it gave him will and inspiration. Amid the flood of sorrow and loss, it offered perspective and consolation. Never before had its great powers been revealed to him. It heals. It comforts. It inspires. The warmth of the sun, the cleansing regeneration of the rains, the sustainability of the earth, the perfume of the flowers, the mystery of the mists all captured within each small purple grape, all expressed in the symphony of each sip, each whiff of herbal breath.

    But she was gone. Never again had he clutched the essence of life or basked in the love of a special woman. Never again had whispered oaths or tender brushes of skin fulfilled desires. Many faceless encounters ensued, but never again did the sun burst through the gloom of night.  

    “Merde!” The shoulders hunched forward. The fingers trembled. Then victoriously they enwrapped the glass, brought it to the thin lips and guided the crimson nectar. Warmth frolicked. The eyes blinked. He gazed into the growing bustle. Paris had awakened. 

    Motorbikes dodged monolithic delivery trucks. Bicyclists peddled, coasted, hesitated and then zipped on toward their daily conquests. Ah, those conquests. He blinked. A blue beret bobbed along. A face emerged under the beret and soon the whole man was exposed to him, waiting for the light to change. The stoic grimace, the scarf thrust over the shoulder, the britches tethered against the spokes, the briefcase secured tightly to the frame he recognized. Thousands of them paraded daily before his throne, joy sucked from their beings by the mission. Kneel daily at the altar of mammon, sacrifice ingenuity to guarantee success. For many years he was one of them. He sacrificed creativity for productivity. He danced the puppet’s waltz, numbly following the marionette’s lead. If only! If only he had remembered. If only they would pause to sip morning wine. Creative surges would christen them as innovators, lead them to greatness!

    “Merde!” He raised the glass and stared. It was empty. Slowly, purposely he reached for the small pitcher, lifted it and poured the remaining wine. The clink as he replaced it on the plastic of the table distracted him. He gazed. A single drop slid from the lip down toward the curve of the base. He reached out a bony finger, tremulously stopping its descent. He brought the drop to his mouth placing it gently on his tongue. The steel gray eyes closed. He sat as if in a trance. Morning wine is not to be wasted. 




(In the Long Glare of) A Dark Fire
by T.R. Healy                                                                                                                                                                                                                                                                                         “By noon, it should be a scorcher out.”

    Sadler awoke to the blare of the radio on the nightstand and immediately rolled over on his side and shut it off. He knew what day it was and was afraid he might hear his name mentioned on the newscast as the fool who blew up half a town. That was five years ago but sometimes it seemed as if it were just the other day. Still, after all this time, he was asked about it, especially as the anniversary approached. The past week three reporters telephoned him but, as ever, he declined their requests for interviews. What he had to say had already been said, shortly after the explosion, and he never intended to speak about it again.

    Groggily he sat up on the edge of the bed, idly rubbing the back of his right leg. He could still remember the burning ache there when he ran block after block that night to the red truck full of explosives.

* * * 

    “You got a radio in this jalopy, driver?” a passenger asked as Sadler negotiated the shuttle van past the taxi rank at the north end of the air terminal.

    Quickly he glanced at the disheveled man in the rearview mirror. “Yep.”

    “How about turning it on? I’d like to catch up on the baseball scores from last night’s games.”

He was surprised by the request and reluctantly switched on the radio. He had been driving an airport shuttle van for nearly three years and seldom did any passengers ask him to turn on the radio. Usually they were too busy talking with one another to be bothered with anything else. Most of the time they were not even aware when they reached their hotels.

    About half a mile from the first hotel he was scheduled to stop at, he heard the report he was dreading to hear this morning:

“Today marks the fifth anniversary of the terrible

blast that destroyed much of Crescent City. Eleven

people were killed, over a hundred injured, and more

than 100 buildings left in ruins, including a Catholic

church, when a delivery truck hauling tons of high

explosives caught on fire.”

    “A cousin of mine was living in Crescent City when that happened,” one of the passengers remarked at the end of the report. “She said she thought someone had dropped a bomb on the town.”

    “Was she one of the ones hurt?” another passenger asked.

    “No, thank God, but a neighbor of hers was out on her lawn at the time and the force of the blast drove her straight through her dining room window.”

    “Good Lord.”

    “Her face was a sight, I guess.”

    “But she survived?”

     “Yes, if you want to call what she looked like then, surviving,” she said bitterly. “What I never understood is why anyone, in his right mind, would park a truck loaded with dynamite on the street. That’s outrageous.”

    “If not illegal.”

    “You wish someone that careless and stupid suffered some, too, but I understand he was asleep in his motel room at the time and never suffered a scratch.”

    Sadler, glaring at the agitated woman in the rearview mirror, was tempted to correct some of her comments but kept silent as usual and proceeded through another busy intersection.

* * * 

    A worn penny rolled against the side of Sadler’s left heel as he started to board the van, and he turned around and picked it up and handed it to the stooped man standing behind him. “Here, you dropped this I believe.”

    The gentleman shook his weary head. “No, it’s not mine.”

    “You sure?”

    “I am.”

 He then slipped the coin into his pocket, recalling an aunt of his who, whenever she found a penny, claimed her late husband had left it to let her know he was still with her.

* * *

    Driving back to the airport, his van nearly full of passengers bound for Hawaii, he was glad no one asked him to turn on the radio. He just couldn’t bear to hear another report about the fifth anniversary of the blast in Crescent City. He was surprised how close he was to responding to some of the remarks of the incensed woman whose cousin lived in the town at the time of the explosion. He didn’t, though, knowing if he revealed he was the driver of the dynamite truck he would again be subjected to all kinds of denunciations. It just wasn’t worth it, as he knew all too well from the last time he broke his silence and admitted he was the driver. That happened almost four years ago late one night in a bar during the course of a conversation with another cabbie at the taxi company where he was working at the time. He didn’t intend to mention it to him, it just slipped out before he realized what he said, when Cullen started recalling some of the worst accidents he had witnessed as a driver. 

    “You haven’t seen anything like I’ve seen,” he blurted out, after Cullen described a pile-up on Badger Road he saw that involved close to a dozen cars and trucks.

    “Is that so?”

    “Not even close, brother. I saw a whole town go up in smoke.”

    “What are you talking about, Neil?”

    “I was the driver of the delivery truck that blew up half of Crescent City .”

    “Jesus, are you serious?”

    “I couldn’t be anymore serious. And I got the hate mail to prove it. Stacks and stacks of letters and cards.”

    Cullen was silent for a long moment, not sure how to respond to the disclosure. “Of course, I remember hearing about it when it happened, it was all over the news,” he said finally. “But I can’t remember if you were charged with anything?”

    “A lot of people wanted to see me in jail, all right, especially the mayor of the town, but that didn’t happen. Thank God.”

    “You’re fortunate.”

    “I know.”

    “You recall that Krugman kid a few months ago who set his apartment house on fire? He got ten years behind bars and I believe only one person died in the blaze.”

    Sadler’s eyes flared in anger, insulted by the comparison. “Christ, man, he was an arsonist and should have gone to jail. He wanted to do what he did. I didn’t want to do anything that night but get a good night’s sleep.”

    “Oh, I understand that, Neil.”

    “Then how could you compare me to such a person?”

    “I didn’t mean to. I was---“

    “Of course you did.”

    “Honestly, I didn’t.”

    “The hell you didn’t!”

    “Come on, Neil. Swear to God, I didn’t mean anything of the kind.”

    Not saying another word, he stormed out of the bar, swearing to himself that never again would he volunteer to anyone that he drove the dynamite truck that decimated a town.

    Many times, over the years, he was tempted to admit his role in the explosion but always bit his tongue and kept silent. It was better that way, he figured, sparing him the bitterness and revulsion he was sure to see in the eyes of those he told. Once, in the darkness of the confessional booth, he told a priest what he did and that was enough he hoped.

* * *  

    Sadler could not help but smile as he approached a diner a few blocks east of the terminal and saw the message on its electric signboard:  “Relish Today Ketchup Tomorrow.”

If only that were possible, he thought, chugging past the sign.

* * * 

    One person who knew right away he was the driver of the truck that exploded in the middle of Crescent City was his wife, Vera, who made it a point to be familiar with his delivery schedule because she often arranged his motel reservations on long hauls. As soon as he was able to after the blast, he called to let her know he was all right, and after expressing her relief, she wanted to know what went wrong.  

    “I know you couldn’t have caused the explosion.”

    “I didn’t, Vera. I swear.”

    “I know that, sweetheart,” she said, trying to console him. “So how did it happen?”

He sighed. “I didn’t pull into town until after the supply store closed. Because it was so late the folks there told me the explosives would be unloaded the next morning. I wasn’t really comfortable with that but was assured a night guard would keep an eye on it. So I did as they said and locked the truck up and walked to the motel down the street. What no one expected to happen, however, was that for whatever reason a fire broke out in the supply store and it spread and eventually set the truck on fire.”

    “You never should have left it on the street, regardless of what you were told.”

    “I know but that’s where the people who purchased the explosives wanted it.”

    “You should never have done it.”

    “I know, Vera. God knows, I know.”

    Without her support, he didn’t know if he could have coped with all the abuse heaped on him those initial days after the blast. She opened all the hate mail sent to him, answered the angry middle of the night telephone calls. One night someone even left a bundle of burning newspapers on their front lawn, which she put out with the garden hose. He was so devastated by what happened in Crescent City he could barely get out of bed in the morning, sometimes almost wished he had been one of those killed in the blast. Vera was the one who urged him to get out of the house after the first couple of days of seclusion and to accompany her to the market and the pharmacy and the feed store.

    Despite how grateful he was to her, he could never again be the jovial, carefree person she married because he was just so shattered by what happened.  It may not have been entirely his fault but certainly, if he hadn’t parked the truck where he did, there would not have been an explosion.  He could not rid that fact from his mind, though he tried daily with can after can of malt liquor.

* * * 

    The first time he saw Vera with another man was nearly four months after the incident. He was returning from a delivery to the beach, and as he made his way through town, he happened to spot her walking across Haymarket Square, arm in arm with some guy about her height. Of course, he was surprised but not that surprised, not after how distant and morose he had become, barely even talking with her some nights. All his drinking bothered her, too, he knew, but often the only way he could look at himself in the mirror was through a bleary haze. So he could hardly blame her if she looked for companionship elsewhere and was not at all surprised when a few months later she suggested they live apart for a while. 

    “For how long?”

    “For as long as it’s necessary.”

    “Necessary for what?”

    “For you to get back to who you were.”

    “That’ll never happen, Vera.”

    “I know.”

* * *  

    Lighting another mentholated cigarette, all alone in the van, Sadler watched another airplane take off from the south airstrip as he waited for some passengers to get on board. It would not be much longer he knew, exhaling the smoke through his nostrils, not more than fifteen minutes probably. The plane flew directly above him, headed somewhere more inviting than here he was sure. Every time he saw a plane take off, he told himself he should buy a ticket some day and get away from this area once and for all. But that wasn’t possible, though, he was stuck here.

   Diligently he had performed the penance prescribed by the Italian priest who heard his confession about what happened in Crescent City but he didn’t really believe it was sufficient for what he was responsible for so as further penance he decided he must never leave the state. For the rest of his life, when the anniversary of the blast arrived, he should be here to listen once again to the expressions of anguish and outrage about what he did.  He must not avoid them however much he wished he could.

* * *  

   “I know you, don’t I?” a slight woman in a chaotic straw hat asked as she climbed aboard the van.

He flinched, worried that she remembered seeing his picture in the paper five years ago. “No, I don’t believe so.”

    “You sure look familiar, mister.”

    “Well, you know what they say, everyone has someone who looks like them somewhere.”

    “Maybe so,” she said, not sounding convinced, as she continued down the aisle.

    Relieved, he breathed slowly, hoping no one else boarding the van thought they recognized him. Certainly not anyone like that woman who approached him in a grocery store a few months after the blast and, without saying a word, slapped him hard across the face. There was no doubt in her mind about his identity.

    “Ladies and gentlemen,” he announced over the speaker, “this is the downtown shuttle and we should be departing in about five minutes so be sure all of your luggage is on board.”

Maybe that’s what he should do, he thought, as he held the microphone against his mouth. Let everyone aboard the van know that he was the one who blew up Crescent City. Certainly that woman in the ridiculous straw hat would be pleased to know that she had indeed seen him before five years ago.

    “Before we leave, folks, I believe I should tell you something that might cause you to decide to ride another shuttle this afternoon. I was the driver of the dynamite truck that destroyed nearly half of Crescent City five years ago today. Some of you, no doubt, think I should have gone to prison for that, and maybe you’re right. I know the authorities considered bringing manslaughter charges against me but, instead, decided to bring them against the company I drove for because it was their policy to allow drivers to park their trucks on public streets. I am guilty of monumental stupidity…about that there is no question. I should never have left the truck unattended as I was told to do but should have stayed in it all right. That would have been the smart thing to do but I didn’t do it and for that I can never forgive myself and can’t expect anyone else to forgive me.”

    “Excuse me, driver,” a passenger seated directly behind him whispered, “but shouldn’t we be on our way. It’s been more than five minutes.”

    Jarred by the remark, he quickly put the microphone back in its carrier, wishing he had the nerve to make the apology to his passengers that he had made in his head.

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Voice of the Midlands

by Jan Wiezorek

    Walking dusty roads was not what Trevor had in mind when he signed up to be an advance man for an ensemble of flamenco dancers and guitarists from Spain. But that was before his ’78 Mercury broke down outside of Nebraska City. It looked like a long, dusty walk was in store for him. But then she came by wearing a large, flowery housedress and driving a sleek, black Mercedes-Benz, quite unusual, he thought, by rural standards.      

    “Need a ride, son?” Mrs. Jeffreys asked. He wasn’t her son, but he could certainly pretend to be if it meant getting out of this forsaken place and onto the radio station by 6.   

    “Well, I’m trying to make it to the college, but I think my fan belt broke, ma’am,” Trevor said. He took his white cotton shirtsleeve and wiped the sweat and dirt from his brow. Then he wiped his neck with a soiled linen handkerchief that hung from his back left pocket. “Is there any chance you could take me there?”

    “Hurry on, then,” she said. “I’ve got the Ladies’ Guild meeting at 8, and I promised the girls I’d fix my apple chicken stew if they’d bring the broccoli salad and raspberry peach pie.”  A new layer of dust had just settled on the gravel, hunger in his stomach, and a layer of filthy, gritty film on his pores and the toes of his brown Oxford shoes. She reached over to the passenger side to open the door and he sat in leather, relieved to have been saved from waiting who knows how long on the quiet back road to the college. A deep ditch of weeds ran parallel to the road on both sides, and high towers of green-and-gold corn made it difficult for him to focus on anything but the route ahead and the incessant, but good-natured, monologues of Mrs. Jeffreys. 

    “I would have taken the two-laner, but there’s construction just north of here, as you probably already know, so here I am—and I’m certainly glad to have found you,” she said. “Never many folks out this way. You could have been waiting here till the cows came home before you'd find anyone to help you. We’ll take care of you Nebraska-style and get you on your way,” she said in her homespun manner. She had a way of speaking, he thought, that called for one to nod or just plain grunt before she’d continue on with her storytelling.  He gave her a nod. 

    “So, you’re studying at the college, are you?” she asked. 

    “No, I’m—”

    “Well, if you’re studying at the college, you must know Professor Gill. Why, he’s been there since before the college even had a campus.” She slapped the steering wheel and laughed at herself all the way up to the sharp right turn past the field of healthy, green soybeans. 

    “No, I’m not studying at the college; I’m going to the radio station,” he said, filled with thanks that she let him finish a sentence. 

    “The Voice of the Midlands. I know it well. Every evening I turn on Tom Catchitore—and he talks and talks for the extension service. You know, you can learn a lot about gardening and crops, homemaking and upkeep, if you listen to Tom Catchitore,” she said. “I suppose you listen to Tom Catchitore every night, too, don’t you?” 

    “No, I’m not from around here,” he said. “I don’t even know a Tom.”

    “If you don’t live around here, why are you going to the college?” she asked, turning toward him and almost driving the Mercedes into a ditch near the wheat field shining out her left window.

    “Like I said, I’m going to be on the radio—at 6 p.m.” he said. “Do you know what time it is now?  I didn’t wind my watch.”

    “On the radio!” she said. “Well, I had better get home so I can listen to you, or turn you on in the car. Why, you’re famous, aren’t you? You’re not the doctor who saved that leukemia patient, are you? Tom Catchitore was just talking about you last week. Is that you?” she asked, smiling at him with one eye and keeping the car on the gravel with the other. 

    “No, I haven’t saved anyone,” he said.

    “Well, you must have done something if Tom Catchitore wants you on his radio show!” she said.    

    “No, I’m just going to talk. Say, do you have the time?”

    “I’d say it’s about 5:30, so we’d better rush to get you on the radio. I don’t believe I’ve ever met a radio person before.”

    “Good.” Just when he thought she might stop talking and come up for air, she started again.

    “So what are you and Tom Catchitore going to talk about?”

    “I’m an advance man for Flamenco Toledo.”

    “I’m not sure I catch your drift,” she said. 

    “I am promoting next week’s flamenco dance concert at the college auditorium. So, I’m going to tell Tom Catchitore all about the Spanish dancers and musicians in the troupe. There’s only one performance, and we hope to have a sellout.”

    “My word!” she said. “All the way from Spain. And they’re coming right here to the college, you say?”

    “Right. Here are some free tickets for you and the ladies. I think you’ll like what you see and hear.” He took six tickets stamped “Complimentary” from his shirt pocket and put them on the dash near the windshield.  

    “My, that’s nice of you. Now, are you a dancer, too?” she asked.

    He looked at his waist, bulging a bit, and sucked it in. “No, I just build up interest in the performance so we can sell out the house. That’s why I’m on the radio—to sell tickets.”

    “Oh. Where are you from?” she asked in her motherly way. 

    Chicago, and I’ve been traveling the Midlands going from town to town. Mind if I ask how you got this car? I don’t think I’ve ever seen one as nice as this in Chicago,” he said.

    “Oh, my word,” she said. “It was murder to get it.” She chuckled like she had just heard a joke from one of her Guild ladies. “You must make a good living as an advance man. Is that right?”

    “I do alright, especially when my car doesn’t break down!”

    “Well, honey, I’ll help you get her fixed. My son’s a mechanic—runs Jeffreys’s Garage—and I bet he can drop by and tow your car to his garage after work tonight. I’m Mrs. Jeffreys.”

    “Thanks, Mrs. Jeffreys.  I’m Trevor. That would be great.”

    She sped up a bit as the Mercedes was about to cross the one-lane steel bridge that spanned a narrow, deep creek. That creek flowed right into the Missouri River. From there the river ran down into the states of Missouri and Kansas—providing life-giving water to the fields not far away. 

    Mrs. Jeffreys laughed as she plowed the accelerator and then hit the brakes all the way to the floor. The car heaved and bounced. It stopped up short right on the middle of the bridge, forcing Trevor forward before he could brace himself. His head hit a panel of polished wood just below the dashboard at full force, causing what may have been a concussion. In Trevor’s dazed state, about all he could do was grunt. 

    “Oh, dear,” Mrs. Jeffreys said. She put the car in park, opened her door, and ran to the passenger side. She heaved him out of the car and onto floor of the bridge. “Well, I see you’re still breathing—still alive,” she said. “We’ll fix that.”

    Then, inside the rear passenger side, she grabbed the Louisville Slugger and cracked it as hard as she could against Trevor’s head lying on the bridge floor. Next, she checked Trevor’s right back pocket and took his leather wallet. She found it loaded with as many $100 bills as it could carry. 

    Mrs. Jeffreys noticed a gap in the design of the steel bridge frame would enable her to kick and roll Trevor right off the bridge and into the fast-moving current in seconds flat. “By morning, your body will be halfway to Kansas,” she said to him, obviously pleased with herself. She began her kicking, pushing, and rolling. Digging her right heal into Trevor’s thigh, she stiff-legged him all the way to the right edge of the bridge. HissHi heavier mid-section fell off the side first, and then the rest of the body slid easily. A scraped line of dust and dirt extended from the car door to the very edge of the bridge.

    “Goodbye now, Trevor,” she said. “Glad to have met you.” She watched the body float, drift, and sink in the swift and flowing creek, and she whipped the bat underhand into the water below.  It floated for as far as she could see it before the creek turned south, moving toward the Missouri River. 

    Mrs. Jeffreys backed up the Mercedes. It took several tries and many turns back and forth on the steering wheel before she brought the big, black automobile fully around in the opposite direction on the road. Eventually, she pointed the hood toward Nebraska City.

    “I’ll have to get home pronto if I’m to fix that apple chicken stew for the ladies,” she said to herself. Her stomach growled just as she imagined a fine plate of stew and all the fixings. 

    And then it was time once again for her favorite radio show: “Good evening, ladies and gentlemen. This is the Voice of the Midlands. I’m Tom Catchitore. Just a program note. Our guest, Trevor DeYoung, has been delayed, so this evening we’ll feature music from Spain. Spanish recordings by the Chicago Symphony Orchestra. By the way, the college will host a troupe of Spanish dancers and guitarists called Flamenco Toledo at 8 p.m. next Saturday evening at the campus auditorium. Tickets are on sale at the auditorium box office. And now, music from Spain.”  

    Bold strains played through the speakers. Wheels spun on gravel, kicking up a cloud of dust that was visible for one-quarter mile behind the black Mercedes en route for Jeffreys' Garage.

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PLAYS


Next of Kin

A one-act play by Lois Bassen

Characters:

Jill McMurry: 27 years old, very Irish-American pretty, a librarian at Berkeley, middle sister to an older sister and younger brother, originally from middle class, Atlantic shore Long Island, NY.

Scott James (Jamie): 25 years old, a grad student at Berkeley, model handsome, originally from Montana.

Jack McMurry: 23 years old, Jill’s brother, working as a bicycle messenger in San Francisco.


Scene One

   (As the play begins, we are about an hour into the 5 ½ hour red eye, midnight flight from San Francisco to NYC. It is Friday night-Saturday morning of the Memorial Day weekend.
    All we need to see are JILL and JAMIE sitting beside one another. JILL is beside the window, JAMIE on the aisle. The middle seat is empty except for JILL's moved tray, on which there are already many little airline liquor bottles and several plastic cups. The light above their seats is the main source of illumination; in both scenes (until, in Scene Two, a character awakens) it is night, dark outside, even though the plane is flying toward dawn. Around them, most people are asleep. We do not need to see them. JILL has been crying quietly. JAMIE and JILL are not acquainted. JAMIE has been avoiding contact with her.
    At this point, however, we see that JAMIE is finishing a drink of his own. Resolutely, after JAMIE downs the drink, he removes the tray on the middle seat, moves into the middle seat beside JILL and kisses her. The kiss should be definite and take some time.) 

JILL: (deeply flat) Oh, don’t.

JAMIE: I’m sorry. No. I’m not.

JILL: I don’t care, really. 

JAMIE: You’ve been crying since we took off.

JILL: Since before that. I have such a headache. (looks at him) I suppose you don’t get into much trouble kissing strangers.

JAMIE: I don’t make a career of it.

JILL: You wouldn’t need to. (sighs) Why did you?

JAMIE: You’re very pretty… (waits for her name).

JILL: Jill. That should make sense. I feel so peculiar. Nothing feels like it makes sense.

JAMIE: Maybe you’re not used to drinking, Jill.

JILL: Maybe. I don’t think it’s the alcohol. (sighs) My brother just died. In a stupid accident. On a bicycle. With a bus. (pause) He’s on the plane, too. Maybe right beneath us. I thought – I would get drunk. And I did. Too fast. I hoped that it would take more time. And that the plane would explode out of the sky, like that plane going to France did last summer over Long Island, and then I wouldn’t have to wake up ever again. And I could go with Jack wherever he’s gone.  God, I hope he’s gone somewhere. (looks at JAMIE) You look familiar. 

JAMIE: You work in the Berkeley library. I’m a grad student.

JILL: You’re going home for Memorial Day weekend? You have family in New York?

JAMIE: No.  I’m from Montana. (offering hand) Scott James.

JILL: (accepting hand) I never met anyone from Montana before. I grew up on Long Island. Not the Hamptons. Everyone who lives on Long Island doesn’t come from the Hamptons. In fact, very few do. And those who do actually come from the City. That means they could come from actually anywhere. Even Montana.

JAMIE: You could still be a little drunk. (Careful expression of name) Tell me about Jack. Your brother. And the bicycle and the bus. (not a question) What happened.

JILL: Jack? Jack. He followed me out to California. Our eldest sister, my Irish twin – she’s nine months older than I am – lives in Colorado. Denver. She’s a teacher. I’m a librarian. Oh, you know that. Salutatorians, the two of us girls, and Jack was the valedictorian. President of his senior class. Captain of the basketball and baseball teams. The phone never stopped ringing for him. They stopped having assemblies in our high school years before we were there—I was four years ahead of Jack – 1,600 kids, one per cent criminal, a nice south shore Long Island high school – but when Jack was president of his class – and he was, all four years—they had assemblies then, only because Jack could get everyone to quiet down and act nearly human.  When I went back to visit teachers, that’s the story they’d all tell me.  How Jack could practically turn straw into gold. With a smile. He was my younger brother, the boy my parents kept trying to have, the boy I wasn’t, but I never felt jealous of him. I was like everyone else. I just adored him.

JAMIE: What happened?

JILL: (indirect answer) I had to identify – him. My Catholic parents are going to want an open casket, I know, but it’s impossible. Not impossible. Just horrible. (She touches her head, face.) I didn’t faint. I thought maybe I would. I looked away, to his high school ring. Like mine. (finally) He was working as a messenger, riding a bike. He upset our parents, not going to law school right away. He just graduated from college last year. He wasn’t sure anymore what he wanted to do. To be.

JAMIE: Do you have a picture of him?

JILL: (retrieves one from her pocketbook) See. He doesn’t look like this anymore.

JAMIE: You look a lot alike. A lot. That must have been hard, making all the arrangements. I had to do that for my parents. I don’t have any siblings. It’s bad when the phone call comes in.

JILL: The police came to the library. A policewoman. She was walking with my supervisor. You just know when you see them approaching you hope they’re not walking toward you. But they were.  A car hit him and then he was in the path of a bus. I couldn’t recognize his face. But I could. I knew it was Jack. And now that beautiful thing he was is changed into that ugly thing in the metal container somewhere underneath us. He was just starting to figure out who he was, and it was all stolen away! I thought – I thought he was the one of us who would actually figure it out. My sister and I, we stayed on the track of our working class parents’ dream, we were the first ones to go to college, and we went so well…but Jack jumped off the track and I would’ve followed him anywhere. I still would.

JAMIE: No. He wouldn’t want you to.

JILL: Did you know Jack?

JAMIE: Yes.

JILL: Who are you?

JAMIE: Jamie.

JILL: Scott James. You’re Jamie? I thought Jamie was – the – he told me about Jamie – you?

JAMIE: Yeah. All that.

JILL: Then…(slowly)...do you think he did it on purpose?

JAMIE: What?

JILL: No, not you, of course you were on purpose, I mean. How could he – on a bike? With a bat or a ball – he was beautiful in his body. That perfect body. It was nearly time to go home to Long Island. To go to law school. Fulfill the parental dream. So he had to make a decision. He couldn’t tell them about you. He couldn’t go home anymore.

JAMIE: I was home.  We were home. He was home.  He didn’t kill himself.

JILL: How do you know? 

JAMIE: I know. I know him. I knew him. Jesus. They called me. To get your phone number. Where you worked. They wouldn’t let me see him at the hospital.

JILL: (understanding) You followed me. 

JAMIE: I followed him. Now I see you. You’re so much like him. The way you speak. The things you say. Your hands. And mouth. (He leans toward her; it is important that a chemistry has been clear between them since the start. JILL definitely finds JAMIE magnetic, however odd and strained this situation is. And he is a way for her to touch her brother again. Also, her world is currently insane; she’s down to functioning on fumes. So is he. JILL may hesitate, but she will not resist. He kisses her.)

JILL: THE ONCE AND FUTURE KING.

JAMIE: What?

JILL: I can see it all now. It’s a book by T.H. White. About Arthur and Merlin. Merlin lives his life backwards so he knows what’s going to happen before it does, because it already did. What sort of grad work are you doing? No, don’t tell me. Paleontology, Jack said, right? Dinosaurs and like that.

JAMIE: Like that. He was “all that.” Jack. Jack was “all that.”

JILL: Yes. He was. “All that.” One of those black expressions white people sound ridiculous using. Patois. Dialect. Argot. What am I going to do with you? Walk into the wake and introduce you as Jack’s – ?

JAMIE: “As Jack’s” would be fine. 

JILL: I don’t think so. My parents are in shock over his death; this news would kill them.

JAMIE: Say I’m your lover.

JILL: Unmarried Catholic girls, even today, do not have lovers. They do, of course, but they don’t use language like that to their parents.

JAMIE: Love is a dirty word?

JILL: Love is what Jesus feels for humanity. It’s not what good girls do with boys or boys with boys.

JAMIE: Jack told you Jamie was a paleontologist.

JILL: That she found dinosaur bones in Montana.

JAMIE: Jack never said she.

JILL: I don’t remember.

JAMIE: I’ve walked in dinosaur footprints.

JILL: You must have had to take big steps.

JAMIE: I have. This one’s bigger. Can I come home with you?

JILL: You can. But I don’t about you may. I can’t think now. (JAMIE leans toward her as if to kiss her again.) No, especially if you do that. It’s kinky. It’s incestuous. 

JAMIE: And yet you want to.

JILL: Not with my Merlin perspective, I don’t. I can see the whole thing. We go home, survive the wake and funeral and interment, eat sandwiches, cry together, share a bed, our bodies, both of us reaching for Jack, and I can see myself loving you – how could I not, if Jack…? And eventually, I would love you, and you would still love Jack, and I would multilaterally…fall short. It’s bad enough his dying once; when I lose you, he’d get hit by that bus again. (She raises the window shade and looks at her wristwatch.) It’s nearly dawn in New York.

JAMIE: I don’t want to let go.

JILL: We don’t let go just yet. We hang on to anything that isn’t moving. But here we are, 30,000 feet up in the air, 600 miles an hour, incredibly suspended, hanging on to each other. And then we land. If you believe in landing.

JAMIE: I believe in Jack.

JILL: I’m glad you loved him so. I’m glad he found someone to love.

JAMIE: May I come home with you?

JILL: I was to say yes. (lowers shade) I’m so tired. (shutting her eyes).

JAMIE: You can tell them anything you want.

JILL: (falling asleep) I would tell them what Jack would have told them.

JAMIE: The truth?

JILL: You said I sounded like him.

JAMIE: Thank you, Jill. (He moves back to his aisle seat, shuts his eyes. JILL is asleep. JAMIE opens his eyes and looks at the empty middle seat as if someone were sitting there.) “All that.”  (He shuts his eyes again. Darkness.)


Scene Two

(Continues are above except that when the seat-overhead light comes on, JILL and JAMIE remain asleep; JACK is sitting between the two of them. He awakens JILL. JAMIE will remain asleep until the end of this scene.) 

JACK: Hey, Sleeping Beauty.

JILL: (Awakens with a start) Jack? Jack! (Embrace, JILL brushes away new tears, moves to slap JACK, which he easily deflects.) How could you?!

JACK: How could I what?

JILL: Not tell me about Jamie. Get hit by a bus.

JACK: I did tell you about Jamie.

JILL: You didn’t mention he was a he. Sin of omission.

JACK: Mea culpa. I thought I did. Tell you, I mean.

JILL: Don’t lie anymore.

JACK: I think lying is about all I get to do anymore. Prone, I mean. No more alleycat races. I had a chance to win in September, too. Well, come this September, at least they’ll toss an old bike in the harbor near Pier 54 in my memory. Make it a fixed gear, will you?

JILL: Was that all it was about? Winning a race, Jack?

JACK: “All that.” What’s the matter?

JILL: Nothing. God, I could kill you!

JACK: Nothing?

JILL: You died for nothing. Ridiculous, on a bike. What did you think it was, landing on the moon? Finding a cure for cancer?

JACK: Well, it wasn’t digging up dinosaur bones.

JILL: They died because they were stupid, too.

JACK: A little while ago, you were all tears for me. If I’d known you were so pissed off, I wouldn’t have made the effort.

JILL: Gratitude? That’s what you expect? What do I do now? How do I live my life? What am I going to do?

JACK: I’m not exactly the expert on how to live.

JILL: I thought you were. (pause) What was it? I always thought the bike riding was suicidal. Was it suicide, Jack? Because of Jamie? Because you did lie to me. You didn’t tell me the truth.

JACK: The whole truth and nothing but the truth. No one ever does that because no one can.  And if you try, that’s suicide. C’mon, do I know all you little secrets? Aren’t they what makes you individually you?

JILL: Jamie wasn’t a little secret.

JACK: You’re right. He wasn’t.

JILL: Couldn’t you just have broken up with him instead of killing yourself? He would’ve survived. I’ll give you your reckless bravery and (angry) individuality, but Jamie is much stronger than you.

JACK: And competitive as hell. Just like me. And you. You weren’t so thrilled all the time that I was the best of the three of us, were you, Older Sister? It’ll be much easier, in the long run, in the long race, to mourn me instead of trying to beat me. (pause) Get this straight, even if I wasn’t, entirely. I didn’t kill myself to avoid telling you and Mom and Dad that I’m gay. Riding fast without brakes in San Francisco can kill anyone. It’s not a metaphor.

JILL: But it also is a metaphor.

JACK: You’re the librarian. Put it into words, put it into books, dig it up later. I lived, I died, I’m bones.

JILL: You’re a dinosaur. (JAMIE begins to awaken. The scene begins to lighten.)

JACK: Pterodactyl. I flew.

JILL: He’s waking up. I’ll leave you two alone.

JACK: (Standing, exiting) No, I have to – .  (He touches JILL's forehead and she sleeps. He touches JAMIE's lips, and JAMIE is awake. As JACK quickly exits, JAMIE reaches towards him.) 

JAMIE: Jack! (His cry awakens JILL. Full light.)

JILL: What?  Oh –

(Voice over PA.: “Good morning, ladies and gentlemen. We should be arriving at LaGuardia in about a half hour. The landing instruction lights will be going on, and at this time, we suggest you secure your seat belts…” etc. JILL opens the window shade, but even before doing so, the plane is filled with morning light. Both JAMIE and JILL slowly obey the pilot’s instructions.)

JAMIE: It was a mistake. I don’t belong at your family’s funeral. I know that now.

JILL: (Offering condolences) I’m so sorry.

JAMIE: Thanks. 

(They brace for landing, which happens during these last lines.)

JILL: You were asleep for a long time. What will you do now?

JAMIE: Go back. Buy a fixed gear bike –

JILL: You talk in your sleep. A lot.

JAMIE: – and toss it off a pier.

JILL: We’ve landed. He was right, you know. 

JAMIE: It was only a dream. My dream.

JILL: Pier 54.

(They both unbuckle their safety belts and rise.  They embrace as people do at funerals, release, look back at the middle seat as if JACK were there, and exit.)

END

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An excerpt from "Recluse"

by Karen Lee Boren

Characters:

Evelyn B: late-fifties.

Setting:

Design can be spare but should be suggestive of a large, Victorian house in Chicago that was once Depression-era, middle-class respectable but is now outdated and generally run down. A kitchen and a bedroom with a bed visible to the audience. Kitchen should have table, chair, a long window over a forced air heating vent, a thermostat on the wall, a corded telephone, and a sizeable urn (Polish design if possible) on a counter or shelf. Design should allow for fluid movement between rooms. 

Time:

Winter; present day.

Act One

 Scene One

(Tidy kitchen with a table and chairs. On the table are a coffee cup and a newspaper that has already been read.  EVELYN is dressed in bulky and unstylish, but warm, clothing that has seen better days. In the bedroom, a vague mound is visible in the bed.)

Evelyn: (Standing and looking around, uncertain what to do with herself.) Years.Years I've been waiting for my mother to die. How many? (She tries to calculate, finally gives up.)I don't know. With all of the mornings and afternoons and evenings and nights I've tended the old woman. . .that withered body. . .riddled with (in one breath) arthritis, and colitis, bone degeneration and cataracts, anemia, emphysema, high blood pressure, heart disease, cysts, a dropped vagina, psoriasis, hearing loss, phlebitis . . .

. . .what with all the groaning. . . .

(Groan emanates from mound.) 

Well, she's in pain, isn't she? Understandably irritable. . .Often ungrateful. How often?

I stopped measuring time in years B- years ago. For a while I still marked birthdays and holidays. But Ma insisted we stop celebrating anything, even Christmas B- how long ago?

(Counts on fingers then gives up.) Ma's next round of pills stamp the days now.  Sometimes a tiny vine of the outside world, of life, curls in when I steal a glimpse at the television or the newspaper, which I still have delivered – I have everything delivered, groceries, Ma's medications. I can't leave Ma alone. She's very clear about how she can't be left alone. Not for an hour. Not for ten minutes.

 

Still, on her good days, I find a moment to gaze out there – (looks longingly at the window) at people. . .ah, people. . . (Waves at passers by who don't see her.) 
(Groan emanates from mound.)

But before I can tell if that gay man from up the block is holding hands with a new man friend. . .before I can tell if the woman with the stroller is pushing a boy or a girl baby. . . before I can step outside and make it to the end of the porch, Ma calls for B

(Groan emanates from mound.)

. . .groans for me. . .So, I close the curtain, or I set the paper aside, unread.  

. . .A hundred times a day I brush the world away like a fly on Ma's blanket. . .

Five years? Ten? (She rubs her triceps with her hands.)

It's cold in here. It's always cold in this house. The drafts waft from room to room. They rattle the window panes, billow the curtains. When I first moved back to Chicago from Kansas City, I pointed out to Ma that the drafts could be cured with some good insulation and new windows. Al, my husband, was smart about those kinds of things. We had just insulated our own place only weeks before he – .

The insulation had made a huge difference. But Ma wouldn't hear of it. . .

(In MA's slight Polish accent.)

Too expensive.

(In EVELYN's own voice.)

I was so cold that first winter back in Chicago, I shivered day and night. (To Ma) What about thicker curtains, Ma? 

(In MA's accent.)

Not in my house!

(In her own voice.)

Plastic over the windows?

(As MA)

Our kind endure.

(In her own exhausted voice.)

Ah, yes, the Warsaw winters of her childhood. . .snow dropping through the roof onto the bed she shared with her sisters. . .frozen rain water to wash her face with in the mornings . . .holes in her boots. . .ten sticks of firewood to last a month. . .

(As MA)

We endured!

(Quietly in her own voice.)

But Ma, I'm cold, and my husband is. . . .

(As MA)

ENDURE!

(Pause. Attempts to warm herself. Heater switches on. EVELYN goes to the vent and feels the warm air. Heater switches off almost immediately. Goes to thermostat and checks setting.) 

Sixty-three degrees on the dot. Just where Ma likes it. (Beat.) I dress for the weather in here now.

(Pause. Taps forehead.)

Lotte Grymke! Yes, I remember. The last time I met a friend for lunch it was Lotte Grymke. I walked from the office to Gordi's, in the Loop. I had a ham sandwich.

(Conspiratorially.)

Lotte had just started an affair with a man other than her husband, and we met so she could tell me all about him. I didn't approve of an affair, no, don't think that. Not after . . . Al. . .But still, when a friend has a story, when someone can see her new life unfolding like the wings of a bird. . . you go; you help her imagine.

Lotte planned to run away with him, her man. To California. Or New Mexico. Florida? Well, wherever, she pictured a grand new future for them. A warm future. A hot future.

(Gestures mildly sexually, giggles then pauses thoughtfully.)

It's a gift, you know, to be able to see your future. Most times you can't see the change waiting for you after a ham sandwich. A mother, strong as an ox. Who figures an ox having a stroke, then a heart attack. . . ?

As I recall, on that day with Lotte, I turned down the spicy mustard the boy behind the counter offered to put on the ham sandwich. I suppose if I'd had some foresight myself, had somehow known that I wouldn't meet another friend for a meal or coffee again for. . . well, so far, for forever, I might have let that boy slather on the mustard so thick my eyes teared just carrying the plate to the table. I might have begged Lotte to take me with her and her man. (Pause.) But I couldn't imagine. . . .

(Counts on her fingers again.)

Sixteen years it's been since that lunch with Lotte.

So. . .sixteen years I've been waiting for my mother to die.


And here she is -B Dead.

(EVELYN moves from the kitchen to the bedroom. Gradually makes her way bedside.) I found Ma late this morning. No, that doesn't sound right. That sounds like I misplaced her when, of course, she was exactly where she'd been nearly every day for B- sixteen B- years. I should have known when I went in to see her early in the morning that something was different. For once, the limbs of her knotty old tree of a body were limp. And she was...quiet. I said to myself, finally, she's had a good night's sleep.

I guess I must have noticed something different though because rather than backing out of the room right away, I bent over her...
(Bedside, bends over mound.)  

. . .and tucked a stray twine of her steely hair behind her ear. 

(Stands upright but still looks at mound.) 

I watched her chest rise and fall, and noticed her eyes moving beneath her lids. I saw her lips pursing, not into her usual sour expression – the one that makes you think she's smelled something bad – but gently, reaching into the air, as if she were kissing a baby's head.

(Addresses audience again.)

It was so unusual to see her relaxed that I stood there looking her as if she were some new and foreign being that had suddenly appeared in Ma's bed. I realized then just how peculiar Ma had grown. She used to be such an active woman. All those church committees. . .She could raise funds from the dead, people said. Find a fin in a poor house. Had the golden touch with the collection plate. Once, at St. Stephen's annual polka picnic, I thought I heard someone say golden clutch and even tight old broad as she passed by. I laughed so hard tears drizzled into my beer. 

(Laughs now, gently at first then hard, then hysterically.) 

Tight old broad! Ma!

(Eventually manages to regain composure.) 

This morning though, I looked at her and thought how her eyelashes were so white if I brushed them with my fingertips, they'd dissolve like ash. I nearly did touch them to see. 

But I came to my senses first. After all, I knew well enough I had to act fast. She could wake up at any moment and then. . .the groaning. Lord, how that old woman could groan!

(Groans emanate from mound.)

I sound uncharitable. . .but she refused relief. The nurse practitioner who came to the house said the doctor offered morphine, codeine, vicodin. But Ma wouldn't take a thing for pain. 

(Groaning increases.)

(Shouting over the noise) IF SHE'D ONLY BEEN QUIET, I MIGHT HAVE GOTTEN SOMEONE TO TAKE CARE OF HER SOMETIMES, JUST FOR AN HOUR OR TWO. . .IMAGINE WHAT I MIGHT HAVE DONE WITH AN HOUR OR TWO. . .TAKEN A WALK, SHOPPED, SEEN A PLAY, JUST BEEN OUT AMONG THE OTHER PEOPLE. . .

(Groaning stops abruptly.)

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NONFICTION


Regrowth

by Theodosia Henney

    When I lived in the barn, in the apartment built for caretakers who raised their own house one field over to the northwest, I kept a snippet of tendon in a plastic vial in my freezer, and a knob of bone, too. The parts were from a horse, a pinto mutt with all three colors—black, white, and brown—whose wide back and feathered legs looked part draft, though he'd throw himself over anything you pointed him at like he was built on springs; graceful and easy. He had the limp for months before the vet took x-rays; my mother thought the horse was faking it since he ran hard in the pasture and his legs felt clean. I knew he never would. The vet called it a sidebone and it looked like a rooster's spur, horning out from the coffin bone, just above the hoof. He called the spotted horse a gamer—“More dangerous than a fussy horse, who'll tell you when they hurt. With his kind, they'll never let on if they can help it.”

    I have never forgotten which part of the leg is the coffin bone, as it was the cause of the first horse-death I can remember, a palomino named Andy, who belonged to my mother's British friend and came in one night from pasture with a broken leg. Even after his coffin bone was plated and screwed together he re-broke it trying to run in the herd and was put down.

    But this sidebone was a simple procedure, we were assured.

    At the veterinary stable, they gave the pinto a shot and quickly passed ropes around his middle. He went down within a minute, and then the ropes were attached to a small crane and he was levitated onto the operating table. The head vet snipped a hole in a blue cloth, the kind they use as a bib at the dentist, placed it over the site of the sidebone, and cut with a scalpel. Skin pulled back, he called for a hammer and chisel while I stared with my mouth open. The walls and floor were all cement, and the blood clung to the steel leg of the table as it made its way down, where it flowed into a drain. The pinto moved only once, lifting his hind leg as if he were a dog cocking it to piss on a prize shrub—he did this when I touched him. Just lightly, on the forehead. Next to me an assistant monitored his consciousness by peeling back his eyelid and tapping gently on his eyeball every half minute or so. “Still out.”

    I hung close to the vet as he tugged the stitches tight, asked in the eerie, bashful way of a nerd who wants something quite badly if I could keep the sidebone. Without a glance my way he dropped it in a clear plastic vial, capped it, and handed it to me.

    Within a week of the surgery, the horse's limp had gone. When it returned the next month, another set of x-rays showed the sidebone regrown, as though it had never been hacked out. The vet suggested we nerve him, and while I was away at school they sliced out a string of nerve fiber two-and-a-half inches long from his leg, numbing about one-third of his hoof. My mother kept the tendons for me, and when I came back for break I found what looked like white, sinewy earthworms in a vial in the freezer, next to the sidebone and a pile of ice-pops for the neighbor's children.

    The nerve fibers, too, are expected to grow back someday.

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No Tie Binds

by Cecilia Turner

"On Spokane"


If a city is the first person you encounter there, Spokane, WA is a stout man with a brown 
mustache and long red scar running down a shimmering bald head. He speaks as if perpetually out of breath and wears large tinted bifocals. The city is on the graveyard shift at the ZipZip convenience store, and is unnerved to the point of jitters. Either he is new at this, or is insane.

    Upon my approach to the restroom, Spokane rushes ahead of me, eager to yell at the nameless body who has been in there for twenty minutes.

    I want to leave.

    Spokane will handle this, don’t worry. Spokane won’t allow loiterers. Not here. Not on a graveyard shift. This will only take a minute.

    At this point I do not know if I’m supposed to be fearful of the city or of the city bathroom dwellers. It is late and I cannot decide whether to sleep in my car or a motel. But now, with Spokane banging on a bathroom door, putting the key into the lock to potentially reveal an overdose victim, I fondle the change in my pocket, considering a coffee and a long drive ahead.

    She was alive! She was well. She was not more than sixteen. She had methamphetamine and Gatorade pulsing through her bloodstream. She was scratching her lottery ticket on the toilet. She explained only this last part to Spokane while I peed quickly. And gingerly.

    Spokane warned her against drug use.

    She assured the city that she doesn’t do that. She. Is. Diabetic. This seems like a non sequitur but is in fact a Spokane-dweller equivalent to 'Don't hassle me.’ When Spokane huffs it sounds like a small dog’s yelp. As much as one should not lie to a city, to Spokane, this twitchy child with an attention deficit gets a pass.
   
   There is a poetry slam movement developing here. And “security ambassadors” originally from Walla Walla escort me to a Rite Aid. The punks and skaters and, always, hipsters, smile in the streets. All echo the city, the unsure fat man that is Spokane.

    I bought a magnet.

 

"Waffle House Blues"

    Robert does not stand still. Whether he is scraping at a black mass of batter crusted to a ruined iron, resetting ketchup at the countertop, poking at his check pad, losing his check pad, looking for his check pad, discovering his check pad, picking up and casually tossing aside his check pad, he is constantly and unconsciously shuffling behind the counter at the Waffle House in backwoods, Alabama, while dutifully upholding his side of all conversations.

    “I’m goin’ to see Gaga on Saturday!” he says while jabbing with a butter knife at the dead black waffle smattered over the iron.

    His lilt is both feminine and Southern and he gives both G’s of “Gaga” great status.

    Robert's hearing is poor in both ears, so he asks a customer twice if it’s "to stay" or "to go." His memory is busy so he asks once more. There is a young man ordering waffles constantly – eat one, order one, etc. There is a couple having lunch and a woman trying to get more coffee. Her arm is extended with the mug and her other hand has the ‘just a pinch more’ gesture. Robert looks at it and walks to the far side of the counter for reasons unknown. When his mind's eye plays back the image of the woman he comes back, ready to process the meaning.

    “More coffee! Shoot, you’re gonna drink this whole pot! Oh Gaga’s gonna be fantastic I just don’t know what to wear. I think I just have to buy something and cut up holes all through it. I can’t wait!”

    The customers respond between all these statements, but mostly they just enjoy. Or stare. Or wonder where this light haired boy with too stylish glasses came from.

    Robert isn’t going to college right now, he’s making money at the Waffle House while he waits out the last three months of his three year probation. Then he will go into the non-profit sector. He wants to help kids who had a rough time growing up.

    “I mean I’ve been downed, shot, stabbed, suffocated and I’m still here. So I’m here for something, I should probably be helping people.”

    “Oh, Robert,” the table calls to him. They need their check so they can go back to work.

    Robert meanders over and pulls out his pad.

    “Now, you didn’t give us that waffle we ordered with the meal.”

    “Oh, shoot. You want a waffle?”

    “Well he has to go to work now.”

    “Oh, so I’ll get it to go for you?”

    “No, we have to go. But can we take it off the bill?”

    He rummages through the checks on his pad and studies theirs.

    “Oh, look at that I didn’t even put it down! Here you go then. Oh, wait a minute.” He pulls the check back in the same moment he puts it on the table.

    “It came as a side. See? It would come right with this, it's included, so I wouldn’t take it off anyway. Y’all want a side of somethin’ else to go?”

    They both look at him.

    “I’ll make ya’ll a side salad or somethin’ to go.”

    “No, no thank you, we’d better go.”

    “Oh, alright, here’s your check.”

    The man has the money ready. He hands it to Robert with the check. Robert saunters back to the cash register.

    “Yeah, I guess I’m pretty lucky, nine lives – but I bet I don’t have many left! Wait –”

    He stares at the money and the register and the money. His eyes shift through his counting and he brings the table their change and his thanks for stopping in.

    When Robert was seventeen, he found himself drunk and in someone else’s back yard. His friend was throwing rocks at the car of the man whose backyard they occupied. Robert didn’t hear “Don’t run or I’ll shoot you,” on account of his bad ears. He saw his friend running. He ran. He felt a burn that was so hot it was cold. He doesn’t remember the pain, but knows it was the worst thing imaginable. It fell to numbness almost immediately.

    A man comes in for coffee.

    “To stay or to go?”

    “To go.”

    He starts jotting in his check pad.

    “And that’s to stay?”

    “To go.”

    “Cream?”

    “Please.”

    He reaches for the coffee pot and looks at the wall of mugs next to the stack of "to go" cups.

    “Was that to go?”

    After the first shot, Robert looked down to see his insides had fallen outward. He scooped them up and continued to run, when he was shot again in the back. Now, with Robert on the ground, the man shot him once more in the stomach. He was still squirming so the man kicked him repeatedly. He whipped the butt of his gun across Robert’s face. He still has the scar from the stitches above his lip.

    Robert rips the check from his pad and sets it in front of the man. Without further conversation he saunters to the refrigerator and retrieves two creamers which he sets down beside the cup. The man pays and leaves a fifty cent tip.

    The pain upon waking up in the hospital was much broader, more encompassing. He still shudders remembering it. The man had called 911 after Robert was unconscious and the paramedics brought him in. Robert was charged with trespassing among other things and left with the medical bills, facial scars, and three bullet wounds, two around his pelvis which accent his star tattoos, and one high on his ass.

    “More coffee? You done almost finished this whole pot!”

    He continues chatting. He shows me the guy he has a crush on, his friend who has HIV, a secret photo shoot of him in a black wig and make up; he is stunning in drag. He would never leave the house like that though, he doesn’t think.

    He writes out a check and sets it on the table. One more customer goes. Perhaps another will meander in soon. Perhaps not. He is left to poke the torched waffle, now more vigorously, allowing crisp chunks to fly.

    Robert's Facebook status, Monday 6:53 pm: My whole trip was a downer. Gaga was amazing of course, but I feel crushed.

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Withdrawal
by Topher MacDonald